Refimprove date September 2008 Recitative pron en r s t ti v , also known by its Italian name recitativo ..., where the pulse is entirely governed by the music. Recitative does not repeat lines as formally ... recitative or occasionally liturgical recitative is also applied to the simpler Reciting tone ... and collect s. Origins The first use of recitative in opera was preceded by the monody monodies ... of Seville and La Cenerentola were composed by assistants. Secco Secco recitative, popularized ... notable. In the early operas and cantatas of the Florentine school, secco recitative was accompanied ... once more. Accompagnato Accompanied recitative, known as accompagnato or stromentato, employs the orchestra ... to accompanied recitative. Recitative is also occasionally used in musicals , being put to ironic ... and Of Thee I Sing . George Gershwin used it in his opera Porgy and Bess , though sometimes, the recitative ... rather than as an opera. Instrumental RecitativeRecitative has also sometimes been used to refer ... is found in the slow movement of Vivaldi s violin concerto in D, RV 208 which is marked Recitative , although it is perhaps more virtuosic and flashy than most operatic recitative. C. P. E. Bach included instrumental recitative in his Prussian piano sonatas of 1742, composed at Frederick the Great ..., the violinist is the soloist in an instrumental recitative. Ludwig van Beethoven used the instrumental recitative in at least three works including Piano Sonata No. 17 Beethoven Piano Sonata No. 17 ... in French In the manner of a recitative, but in tempo. Leon Plantinga argues that the second movement of Beehoven s Fourth Piano Concerto is also an instrumental recitative, ref Leon Plantinga, Beethoven ... to employ instrumental recitative include Nikolai Rimsky Korsakov who composed a lyrical, virtuosic recitative for solo violin with harp accompaniment to represent the Scheherazade title character in his ... et Juliette Berlioz Rom o et Juliette contains a trombone recitative as part of its Introduction ... more details
A page from the Bach Gesellschaft edition of J.S. Bach s St. Matthew Passion, BWV 244, as published in 1856. This page shows the beginning of the Evangelist s recitative Und siehe da immediately following the death of Christ. PD old 100 ... more details
Image Georg Philipp Telemann Portrait.jpg thumb 170px right Georg Philipp Telemann, the composer of Hamburger Admiralit tsmusik . Hamburger Admiralit tsmusik Hamburg Admiralty Music TWV 24 1 is a secular oratorio for soloists, choir and orchestra composed by Georg Philipp Telemann to celebrate the 100th anniversary of Hamburg s admiralty. It was first performed on April 6, 1723 along with Telemann s Water Music Telemann Wassermusik at a banquet for the city s merchants, sea captains, and councillors that lasted until dawn. The work is on a nautical theme and set to verses by Michael Richey, a professor at the Johanneum school in Hamburg where Telemann also taught. Structure Image Hamburg.Wappen.Admiralit t.wmt.jpg thumb 140px right Emblem of the Hamburg Admiralty. Overture in D major Choir Chorus Unschatzbarer Vorwurf Erkenntlicher Sinnen Recitative So Lange Mir Der Augen Licht Erlaubt Aria Ich Nahre Dich Mit Tausend Freuden Recitative Jawohl, Gluckselge Stadt Aria In Der Borse Gepresstem Getummel Recitative Beruhme Dich, Mercur, Der Ruhe Nicht Aria Die Freiheit Schmeichelt Zwar Recitative Unleugbar Ist Dein Ruhm Aria Recher Harpyien Recitative Ich Hore... Aria Round Song Gluck Zu Recitative Mit Was Fur Unverrhofften Choren Aria Mit Euch, Ihr Holden Beiden Recitative Der Elbe Dienstbeflissne Wellen Aria Dein Wohlergehn, O Schonste Recitative Und Ich, O Meines Ufers Konigin Aria Schwelt, Ihr Wasserreichen Grunde Recitative Schau, Machtiger Neptun Aria Duet Erwahle, Mit Gewognet Hand Recitative Welch Angenehmer Aufenthalt Chorus of The Nymphs And Tritons Sage, Schonster Nymphenchor Recitative Mein Gluck Ist Ungemein Aria Wann Himmel Und Erde Veralten Recitative Mit Innigstem Ergotzen Aria Steh Aller Welt Zum Wunder Da Recitative Wunscht Jedermann Dem Werten Hamburg Aria Gewogener Sternen Erfreuliche Schlusse Recitative and Chorus Ihr Gotter Aria Ihr Munteren Horner Recitative So Recht Concluding Chorus Hamburg, Du Ehre Scoring The Hamburger Admiralit tsmusik was compo ... more details
Infobox Album See Wikipedia WikiProject Albums Name Oedipus Tex and Other Choral Calamities Type studio Artist P. D. Q. Bach Peter Schickele Cover Pdq bach oedipus tex.jpg Released 1990 Recorded Genre Length Label Telarc Producer Reviews Last album 1712 Overture and Other Musical Assaults br 1989 This album Oedipus Tex and Other Choral Calamities br 1990 Next album WTWP Classical Talkity Talk Radio br 1991 Oedipus Tex and Other Choral Calamities was released in 1990 by Telarc Records . The album contains works by Peter Schickele under his alter ego of P. D. Q. Bach . Oedipus Tex is described as the dramatic oratorio that demonstrates that the only two sure things in life are death and Texas. Performers Professor Peter Schickele , conductor, bass The Greater Hoople Area Off Season Philharmonic, Newton Weyland , conductor The Okay Chorale Grandmaster Flab and the Hoople Funkharmonic Pamela South , soprano Billie Jo Casta Dana Krueger , mezzo soprano Madame Peep Frank Kelley tenor Brice Andrus , horn Track listing 1. Introduction br Oedipus Tex , dramatic oratorio for soloists, chorus and orchestra, S. 150 P.D.Q. Bach 2. I. Prologue Tragedy 3. Recitative Well 4. II. Aria with chorus Howdy there 5. Recitative And it wasn t long 6. III. Duet with chorus My heart 7. Recitative But 8. IV. Aria You murdered your father 9. Recitative When Billie Jo heard 10. V. Aria with chorus Goodbye 11. Recitative When Oedipus heard 12. VI. Chorus and Finale 13. Introduction br 14. Classical Rap , S. 1 2 3 P.D.Q. Bach br 15. Introduction br Knock, Knock , choral cantata, S. 4 1 P.D.Q. Bach 16. I. Recitative and chorus Knock, knock 17. II. Recitative and chorus How many psychiatrists 18. III. Recitative and chorale What is the question? 19. IV. Recitative and chorus So this guy 20. Introduction br 21. Birthday Ode to Big Daddy Bach , for soloists, chorus and orchestra, S. 100 P.D.Q. Bach Sources http www.schickele.com shoppe pdqrec tex.htm P.D.Q. Bach Oedipus Tex and Other Choral Calamitie ... more details
Recitative Aria Characters rowspan 16 Act 1 rowspan 2 Scene 1 Recitative Prence Lo so vi devo Bajazet, Andronico Aria Del destin non dee lagnarsi Bajazet rowspan 2 Scene 2 Recitative Non si perda di vista Andronico, Idaspe Aria Nasce rosa lusinghiera Idaspe rowspan 2 Scene 3 Recitative Principe, or ora i greci Tamerlano, Andronico Aria In si torbida procella Tamerlano rowspan 2 Scene 4 Recitative Il Tartaro ama Asteria Andronico Aria Quel ciglio vezzosetto Andronico rowspan 2 Scene 5 6 Recitative ... 7 8 Recitative Non ascolto pi nulla Bajazet, Asteria, Andronico Aria Amare un alma ingrata Asteria rowspan 2 Scene 9 Recitative Cos la sposa il Tamerlano accoglie? Irene, Andronico, Idaspe Aria Qual guerriero in campo armato Irene rowspan 2 Scene 10 Recitative bella Irene Andronico Aria Non ho nel sen constanza Andronico rowspan 17 Act 2 Scene 1 Recitative Amico, tengo un testimon fedele Tamerlano, Andronico rowspan 2 Scene 2 Recitative Sarete or ostinato Idaspe, Andronico Aria Anche il mar par che sommerga Idaspe rowspan 2 Scene 3 Recitative Gloria, sdegno ed amore Asteria, Andronico Aria Stringi le mie catene Asteria rowspan 2 Scene 4 Recitative Ah, disperato Andronico Andronico Aria La sorte mia spietata Andronico rowspan 2 Scene 5 Recitative Signor, vergine illustre Idaspe, Tamerlano, Irene, Asteria Aria Cruda sorte, avverso fato Tamerlano rowspan 2 Scene 6 Recitative Senti, chiunque tu sia Asteria, Irene Aria La cervetta timidetta Asteria rowspan 2 Scene 7 Recitative Gran cose ... 8 Recitative Dov mia figlia, Andronico? Bajazet, Andronico Aria Dov la figla? Bajazet rowspan 2 Scene 9 Recitative Asteria, siamo al soglio... Accompagnato Odi, perfida Tamerlano, Asteria, Bajazet ... Act 3 rowspan 2 Scene 1 Recitative Figlia, siam rei Bajazet, Asteria Aria Veder parmi, or che nel fondo Bajazet rowspan 2 Scene 2 3 Recitative Andronico, il mio amore Tamerlano, Andronico, Asteria, Bajazet Aria Barbaro traditor Tamerlano rowspan 2 Scene 4 Recitative Lascer di regnare Andronico Aria ... more details
Power Solomon accompagnato li li Imperial Solomon Zadok recitative li li Sacred raptures Zadok air li li Throughout the land chorus li li Bless d be the Lord Solomon recitative li li What though I trace Solomon air li ol Scene 2 To them the Queen ol start 11 li And see my Queen Solomon recitative li li Bless d the day Queen air li li Thou fair inhabitant of Nile Solomon, Queen recitative li li Welcome as the dawn of day Queen Solomon duet li li Vain are the transient beauties Solomon recitative li li Indulge thy faith Zadok air li li My blooming fair Solomon recitative li li Haste to the cedar ... day, br The little murm ring rill br In whispers glides away. br li li When thou art absent Queen recitative ... From the censer chorus li li Prais d be the Lord Solomon recitative li li When the sun o er yonder hills Solomon air li li Great prince Levite recitative li li Thrice bless d that wise discerning king ... recitative li ol Scene 3 To them the two harlots ol start 28 li Thou son of David First harlot li li ... recitative li li Thy sentence, great king Second harlot air li li Withhold, withhold the executing hand First harlot recitative li li Can I see my infant gor d First harlot air li li Israel attend ... unto the west chorus li li From morn to eve Zadok recitative li li See the tall palm Zadok air li li No more shall armed bands First harlot recitative li li Beneath the vine First harlot air li li Swell ... Queen of Sheba, Solomon recitative li li Ev ry sight these eyes behold Queen of Sheba air li li Sweep, sweep the string Solomon recitative li li Music spread thy voice around Solomon and chorus li li Now a different measure Solomon and chorus li li Then at once from rage remove Solomon recitative li li Draw the tear from hopeless love chorus li li Next the tortur d soul release Solomon recitative li li Thus rolling surge rise Solomon and chorus li li Thy harmony s divine Queen of Sheba recitative li li Pious king Levite air li li Thrice happy king Zadok recitative li li Golden columns Zadok air ... more details
Tyrants Ye in vain conspire Wake the lute and strike the lyre 1 1 Recitative Abner When He is in his ... awe ... 1 2 Recitative Joad Your sacred songs awhile forbear, our festival demands ... alone a foe? 1 3 Recitative Athalia O Mathan, aid me to control the wild confusion of my soul 1 3 Recitative Mathan Why shrinks that mighty soul with fear? What cares, what danger can be near? 1 3 Recitative ... head, ... 1 3 Recitative Athalia Her form at this began to fade, and seem d dissolving into shade. ... 1 ... protect the queen 1 3 Recitative Athalia Amidst these horrors, that my soul dismay d, a youth I saw in shining robes array d, ... 1 3 Recitative Mathan Great queen, be calm These fears I deem the birth ... 3 Recitative Mathan Swift to the temple let us fly, to know what mansion hides this youthful foe. 1 3 Recitative Abner I ll haste the pontiff to prepare for this black storm of wild despair. 1 3 Chorus Attendants The traitor if you there descry, oh let him by the altar die. 1 4 Recitative Joad My Josabeth The grateful time appears to bid dejected Judah end her fears. 1 4 Recitative Josabeth Oh tell the people, as I oft have crav d, how I from death the royal infant sav d. 1 4 Recitative Abner Priest of the living God With anxious heart proud Athalia s purpose I impart ... 1 4 Recitative Josabeth ... cares in vain extended, lovely hopes for ever ended, beamy dawn of joy farewell ... 1 4 Recitative ... Recitative Joad This grief, oh Josabeth, degrades your soul can God no longer Judah s foe control? ... 1 ..., wakes the soul to cheerful praise. ... 2 1 Recitative Abner Ah Were this land from proud oppression freed, Judea would be bless d indeed 2 1 Recitative Joad Oh Abner, wer t thou certain that the sword ... I spring. ... 2 1 Recitative Joad Thou dost the ardour that I wish display revisit me before the close of day. ... 2 2 Recitative Athalia Confusion to my thoughts My eyes have view d my dreadful ... birth to me. 2 2 Recitative Athalia Who is thy father? Let his name be known 2 2 Recitative Josabeth ... more details
as yonder sheep 1 17 Chorus Gay and light as yonder sheep 1 18 Recitative Nabal Tis Carmel s annual holiday 1 19 Chorus Happy, while we reign in pleasure 2 1 Recitative David Asaph, tis well advis d 2 2 Air David Great Creator 2 3 Chorus God, who in they heav nly hand 2 4 Recitative and Accompagnato Asaph Thus saith my Lord 2 5 Air Asaph Grateful hearts enjoy the blessing 2 6 Recitative Nabal ... 2 11 Accompagnato Abigail Thrice happy sheep 2 12 Air Abigail Mind eternal 2 13 Recitative Shepherd ...? 3 4 Recitative Shepherd How soon the scene is chang d 3 5 Chorus By slow degrees the wrath of God 3 6 Recitative Asaph A messenger, my Lord 3 7 Air Asaph When beauty sorrow s livery wears 3 8 Recitative David True is your observation 3 9 Air David Lovely beauty 3 10 Recitative Abigail Behold Thine ... Shepherd, Asaph Thrice happy pair 3 14 Solo and chorus Shepherd Still caressing 3 15 Recitative Abigail ... more details
Found a peanut 5. Recitative Ah, dear husband Aria Stay with me 6. Recitative Suzanna 7. Recitative Dog Aria Perfidy, thy name is Donald 8. Recitative I am distraught 9. Quartet Love is gone Scene Two A courtyard of the palace 10. Recitative Well, here we are 11. Aria Behold, fair maiden 12. Recitative Just a moment Duet Thy lofty tree Scene Three Figaro s bedroom 13. Recitative And here is my husband 14. Recitative Hold it Aria My name is Captain Kadd 15. Recitative Now that you ve heard 16. Sextet What a downer Scene Four The courtyard 17. Recitative Schlepporello Aria No man Scene Five At the dock 18. Recitative What a strange turn of events 19. Quintet ... s palace 23. Aria Fish gotta swim 24. Chorus Hey, make way 25. Dance of the Seven Pails 26. Recitative ... Scene Three A courtyard of the palace 29. Dialogue and recitative Why? ... more details
Oedipus Tex is a Satire satirical Western genre Western themed oratorio by P. D. Q. Bach that follows the adventures of Oedipus Tex you may have heard of my brother Oedipus Rex in Thebes, Greece Thebes Gulch. It was released on the album, Oedipus Tex and Other Choral Calamities in 1990. Structure Oedipus Tex is a dramatic oratorio for soloists, chorus and orchestra with the following scenes. I. Prologue Tragedy Recitative Well II. Aria with Choir chorus Howdy there Recitative And it wasn t long III. Duet with chorus My heart Recitative But IV. Aria You murdered your father Recitative When Billie Jo heard V. Aria with chorus Goodbye Recitative When Oedipus heard VI. Chorus and Finale Performers Professor Peter Schickele , Conducting conductor , Bass voice type bass The Greater Hoople, North Dakota Hoople Area Off Season Orchestra Philharmonic , Newton Wayland, conductor The Gunfight at the O.K. Corral Okay Chorale Grandmaster Flab and the Hoople Funkharmonic http www.pinnaclearts.com artist.php?id 310 Pamela South , soprano Billie Jo Casta Dana Krueger, mezzo soprano Madame Peep Frank Kelley tenor Frank Kelley , tenor Brice Andrus, Horn instrument horn References http www.schickele.com shoppe pdqrec tex.htm The Peter Schickele P.D.Q. Bach Webpage http www.amazon.com Oedipus Tex Other Choral Calamities dp B000003CWP Oedipus Tex at Amazon.com P.D.Q. Bach classical composition stub DEFAULTSORT Oedipustex Category P. D. Q. Bach Category Oratorios Category Satirical works Category Musical parodies ... more details
, God most high, and Thou alone br 4. Recitative, Nitocris and Daniel The fate of Babylon, I fear ... Behold, by Persia s hero made br 7. Recitative, Gobrias and Cyrus Well may they laugh, from meagre ... grief br 10. Air, Cyrus Dry those unavailing tears br 11. Recitative, Cyrus Be comforted safe though the tyrant seem br 12. Accompagnato, Cyrus Methought, as on the bank of deep Euphrates br 13. Recitative ... human beast br 15. Recitative, Cyrus Can ye then think it strange, if drown d in wine br 16. Air, Cyrus Great God, who, yet but darkly known br 17. Recitative, Cyrus My friends, be confident ... br 24. Recitative, Belshazzar and Nitocris For you my friends, the nobles of my court br 25. Air, Nitocris The leafy honours of the field br 26. Recitative, Belshazzar and Nitocris It is the custom, I may say, the law br 27. Chorus of Jews Recall, O king, thy rash command br 28. Recitative, Nitocris .... Recitative, Cyrus Ye see, my friends, a path into the city br 33. Air, Cyrus Amaz d to find the foe ...? br 38. Recitative, Belshazzar Call all my Wise Men, Sorcerers, Chaldeans br 39. Symphony Enter Wise Men of Babylon br 40. Recitative, Belshazzar and Wise Men Ye sages, welcome always to your king br 41. Chorus of Babylonians Oh, misery Oh terror, hopeless grief br 42. Recitative, Nitocris and Belshazzar ... Yet, to obey His dread command br 45. Recitative, Nitocris Oh, sentence too severe, and yet too ..., O faithful guide br 48. Recitative, Cyrus You, Gobrias, lead directly to the palace br 49. Chorus ... hopes and fears distract my mind br 51. Recitative, Nitocris and Daniel Fain would I hope. It cannot surely be. br 52. Air, Daniel Can the black AEthiop change his skin br 53. Recitative, Nitocris ... Act III, Scene 3 57. Air, Gobrias To pow r immortal my first thanks are due br 58. Recitative ... br 60. Duet, Nitocris and Cyrus Great victor, at your feet I bow br 61. Recitative, Cyrus and Daniel ... more details
6 Recitative Virtue Away, mistaken wretch, away 7 Air Virtue This manly youth s exalted mind 8 Recitative Virtue Rise, youth exalt thyself and me 9 Air Virtue Go, assert thy heav nly race 10 Recitative Virtue In peace, in war 11 Solo and Chorus Virtue So shalt thou gain immortal praise 12 Recitative ..., to joy and love 14 Recitative Pleasure and Hercules Short is my way, fair, easy, smooth and plain ... grove 17 Recitative Hercules Oh whither, reason, dost thou fly? 18 Trio Hercules, Pleasure and Virtue Where shall I go? 19 Recitative Virtue Mount, mount the steep ascent 20 Air Virtue Mount, mount the steep ascent 21 Chorus Arise mount the steep ascent 22 Recitative Hercules The sounds breathe ... more details
Ospedale della Piet . It consists of two arias surrounding a central recitative. The text ... arias surrounding a central recitative, and has a similar text to an earlier motet, Canta in Prato ... recitative. The first aria speaks of mythical creatures in conflict with a man of faith. The second ... introduzione to come before Gloria Vivaldi Gloria RV 588 , in the form of Aria Recitative Aria ... is Aria Recitative. The motet speaks of the terrors of the world and asks for the Lord to appear ... before the lost Miserere. It consists of two recitatives, an aria, and a final recitative. The text ... to precede the Gloria Vivaldi Gloria RV 589 . It has the form aria recitative aria. The text ... more details
In European classical music classical music , arioso is a style of Solo music solo opera singing between recitative and aria . Literally, arioso means airy . The term arose in the 16th century along with the aforementioned styles and monody . It is commonly confused with Recitative recitativo accompagnato . Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs however in its rhythm . Arioso is similar to aria in its melodic form, both being closer to singing than recitative however they differ in Musical form form , arioso generally not resorting to the process of repetition. Instances of arioso At the start of the finale in the first act of Mozart s The Magic Flute , the andante of the priest Sprecher Sobald dich f hrt der Freundschaft Hand ins Heiligtum zum ew gen Band is an example of arioso. Amor ti vieta , sung by Loris at Umberto Giordano Giordano s Fedora opera Fedora could be a modern arioso example. One of the most famous ariosos was composed by Johann Sebastian Bach , and serves as the sinfonia of his cantata Ich steh mit einem Fu im Grabe, BWV 156 , as well as the middle movement of the harpsichord concerto BWV 1056. References Translated from fr Arioso http fr.wikipedia.org w index.php?title Arioso&oldid 5612824 , accessed 22 April 2006 See also cantata oratorio External links http www.youtube.com watch?v M2Oe3nkQji8 Bach s Arioso played by cellist Julian Lloyd Webber Opera terms Category Opera terminology Category Singing Category Italian loanwords bg da Arioso de Arioso eo Ariozo fr Arioso it Arioso ka nl Arioso pl Arioso pt Arioso ru uk ... more details
Multiple issues wikify January 2011 orphan January 2011 unreferenced January 2011 date January 2011 Proportionalism , also known as mensuralism , is a Hermeneutics hermeneutical approach to the performance of the earliest transcriptions of Gregorian chant prior to the adoption of mensural notation . The approach can be contrasted with accentualism , or oratorical chant, an interpretation which applies a style of recitative singing. Uncategorized date January 2011 ... more details
File Young Bach2.jpg thumb right 180px Young Johann Sebastian Bach , by Johann Ernst Rentzsch the elder , 1715 Mein Herze schwimmt im Blut My Heart Swims in Blood is a Bach cantata cantata by Johann Sebastian Bach . In Wolfgang Schmieder s catalogue of Bach s works, it is BWV 199. The bulk of the text, which concerns a sinner finding redemption through God, is taken from Georg Christian Lehms Gottgef lliges Kirchen Opffer a little earlier, he had drawn on the same source for Widerstehe doch der S nde, BWV 54 . The piece was composed in Weimar in 1714 for performance on the eleventh Sunday after Trinity Sunday Trinity . It is written for solo soprano accompanied by oboe , two violin s , viola , and basso continuo . Bach made major and minor revisions to the cantata for later performances, and the Neue Bach Ausgabe recognizes two distinct versions one the first Weimar version beginning in C minor with a viola obbligata in the sixth movement and a second the Leipzig version a tone higher, with the obbligata viola part given to violoncello piccolo. The cantata is in eight parts Mein Herze schwimmt im Blut a recitative for soprano accompanied by the strings. Stumme Seufzer, stille Klagen a slow da capo aria for the soprano, oboe and continuo. There is a brief secco recitative before the da capo. Doch Gott muss mir gen dig sein a recitative with strings accompaniment. Tief geb ckt und voller Reue a da capo aria marked Andante at a walking pace , in 3 4 time signature time and accompanied by the strings. There is an adagio slow passage just before the da capo. Auf diese Schmerzensreu a short recitative accompanied by the continuo. Ich, dein betr btes Kind Verse three of the chorale Wo soll ich fliehen hin with an obbligato viola or cello part depending on the version . Ich lege mich in diese Wunden a recitative accompanied by the strings. Wie freudig ist mein Herz a cheerful gigue like da capo aria accompanied by all the instruments in 12 8 time. Recordings J.S. Bach Compl ... more details
Infobox Album See Wikipedia WikiProject Albums Name The Stoned Guest Type studio Artist P. D. Q. Bach Cover PDQ Bach The Stoned Guest.jpg Released 1970 Recorded Genre Length Label Vanguard Producer Reviews Last album Report from Hoople P. D. Q. Bach on the Air br 1967 This album The Stoned Guest br 1970 Next album The Intimate P. D. Q. Bach br 1974 The Stoned Guest is the premiere recording of the The Stoned Guest Half Act Opera by P. D. Q. Bach , the pseudonym used by Peter Schickele for parodic works. It was released on Vanguard Records in 1970. Performers Entire fiasco under the supervision of Professor Peter Schickele The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company under the direction of John Nelson Marlene Kleinman , mezzanine soprano Donna Ribalda, a high born lady of the lowlands Lorna Haywood , off coloratura Karmann Ghia Carmen Ghia , a woman of ailing repute John Ferrante , bargain counter tenor Don Octave, an itinerant nobleman Bernice , houndentenor Dog Will Jordan as Milton Host Bill Macy as Paul Henry Lung Amateur Musica Antiqua of Hoople Track listing 1. Introduction br 2. Half Act Opera The Stoned Guest , Part One P.D.Q. Bach Overture Aria Let s face it I m lost Recitative Boy Aria Now is the season Recitative Gesundheit Duet Woe Recitative Hark Aria Look at me Recitative That s the end Trio I m sure I d be 3. Intermission Feature Opera Quiz br 4. Plot Synopsis br 5. Half Act Opera The Stoned Guest , Completion P.D.Q. Bach Recitative I hate to interrupt Quartet Don Octave Finale O saviour Announcement 6. Two Madrigals from The Triumphs of Thusnelda P.D.Q. Bach The Queen to me a royal pain doth give My bonnie lass she smelleth Source http www.schickele.com shoppe pdqrec stoned.htm P.D.Q. Bach The Stoned Guest P.D.Q. Bach DEFAULTSORT Stoned Guest, The Category P. D. Q. Bach albums Category Musical parodies Category 1970 albums Category Works based on the Don Juan legend 1970s album stub ... more details
and Cavatina Gia l aurora in cielo appar Daniel and Chorus Recitative & Arietta E fia ver & Non puo il cor Daniel Recitative Amico miei Daniel Cavatina In questo semplice Betly Recitative and Duet Ho mangiato e bene Betly and Daniel Recitative E finita per mer Daniel Scene 2 Maledetta la vita di stento Chorus Cavatina Ti vedo, ti bacio Max Recitative Oh giovinoto Daniel and Max Scena, Coro and Finale Primo Per questa via remota Betly, Max, Chorus Scene 3 Recitative and Duet In cortesia Betly and Daniel Recitative Che l ha fatto restar Betly, Daniel and Max Recitative and Duet Bassa la voce Daniel and Max Recitative, Aria and FInale Mi reggo appena oe pie Ah no non posso esprimere Betly, Daniel ... more details
Halt im Ged chtnis Jesum Christ Hold in remembrance Jesus Christ , BWV 67, is a Bach cantata cantata by Johann Sebastian Bach . History The work was written for performance on April 16, 1724, the first Sunday after Easter Quasimodogeniti . It thus belongs to the first cycle of cantatas Bach wrote during his time in Leipzig . Except where noted below, the author of the text is unknown. Structure and scoring The work in seven movements is scored for trumpet , flute , two oboes d amore , strings, basso continuo , vocal soloists and choir. Chorus Halt im Ged chtnis Jesum Christ a lively chorus with words taken from 2 Timothy , 2 8. Aria Mein Jesus ist erstanden My Jesus is arisen a tenor aria with obbligato oboe d amore Recitative Mein Jesu, hei est du des Todes Gift My Jesus, you are known as the bane of death an alto recitative that leads straight into Chorale Erschienen ist der herrlich Tag The glorious day is appeared Nikolaus Herman s 1560 chorale. The final Alleluja leads straight into Recitative Doch scheinet fast Yet it seems a reprise of the recitative before the chorale. This recitative chorale recitative structure can easily be considered by whom date November 2010 a single movement. This idea of a solo singer alternating with a chorus is extended in the following movement Aria and chorus Friede sei mit euch Peace be with you An unusual movement with sharply contrasting sections after a quick string introduction, dynamics music piano sections in 3 4 time signature time featuring a Bass voice type bass soloist solemnly intoning the words Friede sei mit euch taken from Gospel of John John , 20 19 accompanied by woodwind alternate with much livelier forte passages in 4 4 time for the choir without basses accompanied by strings. In the closing pages of the movement, these two contrasting elements are combined the bassist sings his part over the tumult of the choir, and then the strings slip in beneath the winds in the final section. This movement was adapted for ... more details
, S. 53,162 I. Trumpet Involuntary II. Aria When Hyperion III. Recitative And Lo IV. Ground Dying V. Recitative And in a vision VI. Aria Running 4. Unbegun Symphony Prof. Schickele III. Minuet IV. Andante ... Tarragon of virtue is full Recitative And there were in the same country Duet Bide thy thyme Fugue Recitative Then asked he Chorale By the leeks of Babylon Recitative Then she gave in Aria Open sesame seeds Recitative So saying Duet Summer is a cumin seed Soloists and chorus To curry favor, favor ... more details
. Structure of the work Part one Overture Recitative tenor Twas at the royal feast Aria and chorus Happy, happy pair Recitative Timotheus plac d on high Harp Concerto, Opus 4, Number 6 in B Flat Recitative The song began from Jove Chorus The list ning crowd Aria soprano With ravish d ears Recitative The praise of Bacchus Aria and chorus Bacchus ever fair and young Recitative Sooth d with the sound Recitative He chose a mournful muse Aria soprano He sung Darius, great and good Recitative With downcast looks Chorus Behold Darius great and good Recitative The mighty master smil d Arioso Softly ... applause Part two Recitative and chorus Now strike the golden lyre again Aria bass Revenge, Timotheus cries Recitative Give vengeance the due Aria The princes applaud with a furious joy Aria and chorus Thais led the way Recitative Thus long ago Chorus At last divine Cecilia came Recitative Let old ... more details
shall reach us never. On Him we rest, with faith assur d, For ever and for ever. recitative Die ... V v 28 VI v.14 recitative & chorus Und sie sahen auf ihn alle And all that sat in the council aria S Jerusalem die du t test die Propheten Jerusalem Thou that killest the Prophets recitative & chorus ... He blasphemes God recitative & choral Und sie steinigten ihn Dir, Herr, dir will ich mich ergeben And they Stoned him To thee, O Lord. I yield my spirit recitative Und die Zeugen legten ab ihre Kleider And the Witnesses chorus Siehe wir preisen selig, die erduldet Happy and Blest are they recitative ... Consume them all recitative & arioso Sii Und zog mit einer Schar Doch der Herr vergisst der Seinen nicht But the Lord is mindful of his own recitative & chorus Und als er auf dem Weg war ... auf ruft uns die Stimme Sleepers, wake, a voice is calling recitative Die M nner aber, die seine ... recitative Es war aber ein J nger zu Damaskus And there was a Disciple aria B & chorus Ich danke dir, Herr, mein Gott ... Der Herr wird die Tr nen I praise thee, O Lord recitative Und Ananias ging hin ... are now the Lord s 24. recitative Und Paulus kam zu der Gemeinde And Paul came to the congregation ... Wie lieblich sind die Boten How lovely are the Messengers 27. recitative & Arioso Und wie sie ausgesandt ... 28. recitative & chorus Da aber die Juden das Volk sahen So spricht der Herr ich bin der Herr But when ... zu Jerusalem O Jesu Christe, wahres Licht Is this he? O Thou, the True and Only Light 30. recitative ... der Herr geboten For so hath the Lord 32. recitative Und es war ein Mann zu Lystra And there was a man at Lystra 33. chorus Die G tter sind den Menschen gleich geworden The gods themselves 34. recitative ... G tter O be gracious, Ye Immortals. 36. recitative & chorus Da das die Apostel h rten Aber unser Gott ist im Himmel Now when the Apostles For know ye not? But our God abideth in Heaven 37. recitative ... s Temple 39. recitative Und sie alle verfolgten Paulus And they all persecuted Paul 40. cavatine ... more details
Casanova s Homecoming is an opera in three acts by Dominick Argento to an English libretto by the composer, based in part on Giacomo Casanova s memoirs . It was first performed by the Minnesota Opera in Saint Paul, Minnesota Saint Paul , Minnesota in 1985. The opera has set numbers with recitative and spoken dialog. It is set in Venice in 1774. Discography D.Brown Jacoby, 2001 live Newport Classic External links http www.boosey.com pages opera moredetails.asp?musicid 4862 Boosey & Hawks page Category English language operas Category Operas by Dominick Argento Category Operas Category 1985 operas English opera stub ... more details
Uns ist ein Kind geboren is cantata written by the composer Johann Sebastian Bach but possibly Johann Kuhnau . Instrumentation This cantata was written for choir and orchestra . Movements The movements in this piece are Sinfonia Choir Chorus Uns ist ein Kind geboren Aria Bass voice type Bass Dein Geburtstag ist erschienen Chorus Ich will den Namen Gottes loben Aria Tenor Jesu, dir sei Dank Recitative Alto Immanuel Aria Alto Jesu, dir sei Preis Chorus Alleluia Bach cantatas classical composition stub Category Cantatas by Johann Sebastian Bach nn Uns ist ein Kind geboren ... more details
Image bachgesell.gif Bach Gesellschaft page thumb 200px Recitative from the St Matthew Passion in the Bach Ausgabe of 1856, 63a, the Evangelist telling of the tearing of the temple curtain and the earthquake The Evangelist in the music of Johann Sebastian Bach is the tenor part in his oratorio s and Passion music passions who narrates the exact words of the Bible , translated by Martin Luther , in recitative , namely in the works St John Passion , St Matthew Passion , and the Christmas Oratorio , also in the St Mark Passion and the Ascension Oratorio Lobet Gott in seinen Reichen, BWV 11 . In contrast, the Vox Christi , Voice of Christ, is always the Bass voice type bass in Bach s works, including several Bach cantata cantata s. Music and sources The Evangelist reports in Recitative Secco secco recitative s accompanied by Figured bass Basso continuo basso continuo only. In the St John Passion the story consists of chapters 18 and 19 of John the Evangelist , the St Matthew Passion tells the complete chapters 26 and 27 of Saint Matthew Matthew the Evangelist . The first versions of the St. John Passion contained two additional lines from Matthew mentioning the weeping of the disciple Saint Peter Peter and the tearing of the temple curtain, dramatic situations that Bach cared about. He composed the weeping in an expressive melisma and the tearing in a forceful downward run followed by tremolo , but removed the parts in later versions. The Christmas Oratorio follows Luke the Evangelist for parts 1 to 4, and St. Matthew for Parts 5 and 6. A St Mark Passion Bach St Mark Passion after Mark the Evangelist is lost, but has been reconstructed by several scholars. In the Lobet Gott in seinen Reichen, BWV 11 Ascension Oratorio the story is compiled verse by verse from different biblical sources. The Easter Oratorio is an exception, as a play of four biblical characters without narration. ref name D rr Alfred D rr . 1971. Die Kantaten von Johann Sebastian Bach , B renreiter 1999, ISBN ... more details
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