The narrow courtyard between the Uffizi's two wings creates the effect of a short, idealized street.

View of hallway.

Ceiling paintings in the main corridor.

History

Building of the palace was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici as the offices for the Florentine magistrates ? hence the name "uffizi" ("offices"). Construction was continued to Vasari's design by Alfonso Parigi and Bernardo Buontalenti and ended in 1581. The cortile is so long and narrow, and open to the Arno River at its far end through a Doric screen that articulates the space without blocking it, that architectural historians^[1] treat it as the first regularized streetscape of Europe. Vasari, a painter as well as architect, emphasized the perspective length by the matching facades' continuous roof cornices, and unbroken cornices between storeys and the three continuous steps on which the palace-fronts stand.

The Palazzo degli Uffizi brought together under one roof the administrative offices, the Tribunal and the state archive (Archivio di Stato). The project that was planned by Cosimo I, Grand Duke of Tuscany to arrange that prime works of art in the Medici collections on the piano nobile was effected by Francesco I, who commissioned from Buontalenti the famous Tribuna degli Uffizi that united a selection of the outstanding masterpieces in the collection in an ensemble that was a star attraction of the Grand Tour.

Over the years, further parts of the palace evolved into a display place for many of the paintings and sculpture collected by the Medici family or commissioned by them. After the house of Medici was extinguished, the art treasures remained in Florence by terms of the famous Patto di famiglia negotiated by Anna Maria Lodovica, the last Medici heiress; it formed one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public.

Because of its huge collection, some of its works have in the past been transferred to other museums in Florence ? for example, some famous statues, to the Bargello. A project is currently underway to expand the museum's exhibition space by 2006 from some 6,000 metres² (64,000 ft²) to almost 13,000 metres² (139,000 ft²), allowing public viewing of many artworks that have usually been in storage.

In 1993, a car bomb exploded in Via dei Georgofili and damaged parts of the palace, killing five people. The most severe damage was to the Niobe room, the classical sculptures and neoclassical interior of which have been restored, although its frescoes were damaged beyond repair. The identity of the bomber or bombers has never been established, although some suspect the Mafia.

Today the Uffizi is one of the most popular tourist attractions of Florence. In high season (particularly in July), waiting times can be up to five hours. Visitors who reserve a ticket in advance have a substantially shorter wait.

Popular culture

• The museum is mentioned in chapter XII of Henry James's 1875 novel Roderick Hudson. It is said that, 'There are very fine antiques in the Uffizi.'.
• The Uffizi also may be referenced in the chorus of the song "You Enjoy Myself" by Phish, although the band has famously neither confirmed nor denied the exact lines of the song's chorus.
• In the summer 2007, in early August, Florence was caught with a large rainstorm, and the Gallery was partially flooded, with water leaking through the ceiling, and the visitors had to be evacuated.

Collections

Here is only a small selection from the world-class collection of paintings:

• Cimabue (Maestà)
• Duccio (Maestà)
• Giotto (The Ognissanti Madonna, Badia Polyptych)
• Simone Martini (The Annunciation)
• Paolo Uccello (The Battle of San Romano)
• Piero della Francesca (Diptych of Duke Federico da Montefeltro and Duchess Battista Sforza of Urbino)
• Fra Filippo Lippi (Madonna with Child and Two Angels)
• Andrea del Verrocchio (The Baptism of Christ)
• Hugo van der Goes (The Portinari Triptych)
• Sandro Botticelli (Primavera, The Birth of Venus, The Adoration of the Magi and others)
• Leonardo da Vinci (The Annunciation, The Adoration of the Magi)
• Piero di Cosimo (Perseus liberating Andromeda)
• Albrecht Dürer (The Adoration of the Magi)
• Michelangelo (The Doni Tondo)
• Raphael (Madonna of the Goldfinch, Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi)
• Titian (Flora, Venus of Urbino)
• Parmigianino (The Madonna of the Long Neck)
• Caravaggio (Bacchus, The Sacrifice of Isaac, Medusa)

The collection also contains some ancient sculptures, such as the Arrotino and the Two Wrestlers.

Gallery

<gallery> Image:Sandro_Botticelli_049.jpg|Detail of The Birth of Venus (Botticelli) by Botticelli Image:Tizian 102.jpg|Titian: Venus of Urbino Image:Michelangelo Caravaggio 007.jpg|Caravaggio: Bacchus Image:Simone Martini 078.jpg|Simone Martini: Annunciatie Image:Primavera.jpg|Botticelli: La Primavera, c. 1478 Image:Tizian 022.jpg|Tizian Flora (mythology), 1515-1520 Image:Piero della Francesca 044.jpg|Piero della Francesca Image:Paolo Uccello 023.jpg|Paolo Uccello Image:Fra Filippo Lippi 009.jpg|Fra Filippo Lippi Madonna con due angeli Image:Medusa by Carvaggio.jpg|Caravaggio Medusa Image:Michelangelo Buonarroti 046.jpg|Michelangelo, Tondo Doni Image:Rembrandt Harmensz. van Rijn 138.jpg|Rembrandt van Rijn, Image:Sanzio 00.jpg|Raphael, self portrait Image:Raffael 031.jpg|Raphael, Madonna del cardellino Image:Raffaello - ElisabettaGonzaga.jpg|Raphael, Portrait of Elisabetta Gonzaga Image:Raffael 049.jpg|Raphael, Portrait of Pope Julius II Image:Caccia-lupo.jpg|Caccia al Lupo, a 16th century tapestry depicting a Florentine wolf hunt </gallery>

See also Category:Collections of the Uffizi.

Notes

External links

• Uffizi gallery
• Uffizi Gallery - Information, biographies and history in Italian and English

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