Thomas Dewing
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Thomas Dewing
Summer (1890), Smithsonian American Art Museum He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing. Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so. Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897. He spent his summers at the art colony in Cornish, New Hampshire. The foremost Dewing scholar living today is Susan A. Hobbs. The most complete publication regarding Dewing in book format is The Art of Thomas Wilmer Dewing: Beauty Reconfigured. External links
de:Thomas Dewing es:Thomas Dewing pl:Thomas Wilmer Dewing Source: Wikipedia | The above article is available under the GNU FDL. | Edit this article
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