The Intruder is a 1962Americanfilm directed by Roger Corman, after a novel by Charles Beaumont, starring William Shatner. Also called Shame in US release, and The Stranger in the UK release. The story centers around the machinations of a racist named Adam Cramer (portrayed by Shatner), who arrives in the fictitious small southern town of Caxton in order to incite townspeople to racial violence against the town's Black minority and court-ordered school integration.
The film was shot in black and white on location in Missouri. The production was thrown out of East Prairie, Missouri, and Charleston, Missouri, because the locals objected to the film's addressing racism and segregation. Although it only had a budget of $80,000, the film lost money at the box office, as the major studios had predicted.[1]
Plot
The introduction to Cramer is a simple shot of him stepping off a bus, carrying only a light suitcase, with an attitude of innate confidence, a confidence which throughout the film never diminishes. On an interpersonal level, starting with the first character Cramer meets, the audience sees he is a charmer, but it is soon revealed that the character uses this charm quite professionally, in furtherance of a hard, cunning political effort to incite Caxton's existing racial tension into violence. At the same time, Cramer seeks personal pleasure with every interaction. Cramer's racist, incendiary politics are thereby proven inseparable from his pleasure. By manipulating many of Caxton's citizens on a personal level, Cramer implements a strategic plan for incite violent action, which culminates in a lynch mob, after Cramer manipulates a teenager into making a false claim of interracial rape. A rational, internally secure character named Tom McDaniel, played easily by veteran actor Frank Maxwell[2] is willing to stand up against both Cramer and the townspeople's hatred toward their black neighbors. The film further develops the nobility of resistance to hatred through the school and the principal in particular. While staying in a motel, Cramer meets salesman Sam Griffin and his wife. While Griffin is away on business, Cramer seduces Griffin's wife, Vi. Upon returning, Sam Griffin discovers his wife has left and confronts Cramer. Accurately assessing Cramer's nature during a very interesting conversation in Cramer's hotel room while living next to Cramer in the hotel, he goes on in the movie to break up the mob using his personal skills and natural presence. Rather than approach Cramer's obviously hopeless sociopathy vituperatively or violently, or take justifiably motivated revenge for Cramer's seduction of Griffin's clinically depressed and therefore vulnerable wife (who fled), Griffin, without animosity, offers Cramer bus fare out of town. This act preserves the film's focus on political manipulation of racial bigotry rather than getting payback for evildoing. A typical payback of the sort found too often in cinema would be too simple and easy a closure to a story situation that is difficult to develop yet unusually mesmerizing in execution, and would have interfered with proper perception of the characters. Arguably, since Cramer is a man of ideas, however destructive to human progress, Griffin's ending is a uniquely personal form of justice which happens to preserve the film's focus.
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