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RKO Forty Acres
Forty Acres was a film studio backlot that belonged to RKO Pictures and later Desilu Productions, located in Culver City, California. Best known as Forty Acres, or "the back forty"[1], it had other names such as "Desilu Culver"[2], the "RKO backlot" and "Pathé 40 Acre Ranch" depending on which studio owned the property at the time. For nearly fifty years it was famous for its outdoor full-scale sets such as Western Street and Atlanta Street or Main Street and was used in films like King Kong[3] (1933) and Gone with the Wind[3] (1939), and television shows like Bonanza and Star Trek[3]. It was situated on a triangular parcel of land that measured 28½[4] acres, located a few blocks from RKO (now 'The Culver Studios'[5] ) which was situated to the west. It was bounded by Higuera Street to the north, West Jefferson Boulevard, Ballona Creek and Baldwin Hills to the south and Lucerne Avenue to the west. In 1976 it was razed for re-development and is known today as the southern expansion of the Hayden Industrial Tract[6]
HistoryThe property on which the backlot was located was originally intended to be a lease for Cecil B. DeMille?s production of the 1927 film The King of Kings[5]. On it he constructed the historical City of Jerusalem, which remained for the RKO production of King Kong in 1933. By then it was known as Forty Acres and owned by RKO Pictures. In 1935 David O. Selznick leased the property from RKO for his new studio, Selznick International Pictures. For his 1939 production of Gone with the Wind, the plantation Tara, the Atlanta Depot, and other Atlanta buildings were constructed on Forty Acres. The depot and many of the Atlanta buildings became permanent fixtures on the property till its final days, while the set of Tara was sold in 1959 to investors who planned to open a theme park in the Atlanta area (see Tara Plantation). From 1943 to 1958, a separate part of the 28½ acres known as the African jungle set, located on the opposite side of Ballona Creek, was used extensively for the Tarzan series by RKO, and later for The Adventures of Jim Bowie television series by Desilu.[4] Following years of turnovers by several owners, including Howard Hughes, the backlot was practically deserted and cinematic productions declined. It was purchased in 1957 by Desilu with the intention of filming for the burgeoning television industry. Television
Forty Acres' New York Street as seen on Star Trek (1967) Forty Acres was also the backdrop for a 1961 episode of My Three Sons entitled "The Horseless Saddle", and five episodes of the hit TV series Bonanza where the backlot?s Western Street, next to the Garden of Allah (1936) set, served as a trail town. An added feature was the fact that some portions of the backlot were occupied by fields and scrub and provided the ideal conditions for filming a western. The Tara set, which sat on a sloping rise at the north western corner of the property, was torn down in 1959 to eventually become the Stalag 13 set for Hogan's Heroes[3]. Most of the sets, which included Camp Henderson on Gomer Pyle[3], were situated primarily in the center, south and west end of the property. The narrower east end was the site of a western town set at one time, and was later home to an unusual, narrow alley set lined by two long facades facing each other. The alley set was constructed for the 1968 Robert Wise film Star! starring Julie Andrews, and it also later made a brief appearance in the 1975 film Switchblade Sisters, as did the streets and buildings of the central town area. Overall, the property was an undulating plateau with a southern slope (by the town square) that led to Ballona Creek. Picturesque Sycamore Maple and willow trees dotted the northern and southern perimeter of the property. List of familiar backlot buildingsCore structures that stood for decades and appeared in many productions are listed here, most of which were constructed to represent, in Gone with the Wind, the antebellum Town of Atlanta, and later used for the fictional Mayberry. This portion of the backlot was the most permanent, and thus the most repeatedly recognizable, existing from 1939 until 1976. Other structures like the Jerusalem set, which was torched[5] to make room for the Atlanta set, or Tara, which was replaced with the Hogan Heroes stalag set, did not survive as long. The western/European set at the east end of the backlot also did not survive past the mid sixties. The two main arteries that traversed the Atlanta/Mayberry set were Atlanta or Main Street, which ran east/west and opened at one point onto a town square, and North Street, a cross street that bisected it at the four corners[8] just west of the square.
List of productions at Forty AcresFilm
JimNolt.com (1975)
Television
See alsoReferences
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