Punch (magazine)

Punch (magazine)

Encyclopedia

Tutorials

Encyclopedia

Dictionary

Directory

Email this to a friend Punch (magazine)

Punch (magazine)

Cover of the first Punch or The London Charivari depicts Punch hanging a caricatured Devil, 1841

Punch was a British weekly magazine of humour and satire published from 1841 to 1992 and from 1996 to 2002. Punch material was also collected in book formats as early as the 1800s, including Pick of the Punch annuals with cartoons and text features, Punch and the War a 1941 collection of WWII-related cartoons, and A Big Bowl of Punch which was republished a number of times. Many Punch cartoonists of the late 20th century published collections of their own work partly based on Punch contributions.

History
Gallery of selected early covers
1996 resurrection
Contributors
Influence
Notes
External links

History

Punch was founded on 17 July 1841 by Henry Mayhew and engraver Ebenezer Landells. At its founding it was jointly edited by Mayhew and Mark Lemon. Initially it was subtitled The London Charivari, this being a reference to a satirical humour magazine published in France under the title Le Charivari. Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch; the name also referred to a joke made early on about one of the magazine's first editors, Lemon, that "punch is nothing without lemon". Mayhew ceased to be joint editor in 1842 and became "suggestor in chief" until he severed his connection in 1845. Punch was responsible for the modern use of the word "cartoon" to refer to a comic drawing. The illustrator Archibald Henning designed the cover of the magazine's first issues. The cover design varied in the early years, though Richard Doyle designed what became the magazine's masthead in 1849.

In the 1860s and 1870s, conservative Punch faced competition from upstart liberal journal Fun, but after about 1874, Funs fortunes faded. At Evans's café in London, the two journals had "Round tables" in competition with each other.^[1]

"True Humility": Bishop: "I'm afraid you've got a bad egg, Mr Jones"; Curate: "Oh, no, my Lord, I assure you that parts of it are excellent!"

George du Maurier, originally published in 1895

After months of financial difficulty and a relative lack of initial market success, Punch became a staple for British drawing rooms because of its sophisticated humour and absence of offensive material, especially when viewed against the satirical press of the time. The Times used small pieces from Punch as column fillers, giving the magazine free publicity and indirectly granting a degree of respectability, a privilege not enjoyed by any other comic publication. Punch would share a friendly relationship with not only The Times but also journals aimed at intellectual audiences such as the Westminster Review, which published a fifty-three page illustrated article on Punch's first two volumes. Historian Richard Altick writes that "To judge from the number of references to it in the private letters and memoirs of the 1840s...Punch had become a household word within a year or two of its founding, beginning in the middle class and soon reaching the pinnacle of society, royalty itself".^[2] Increasing in readership and popularity throughout the remainder of the 1840s and 1850s, Punch was the success story of a threepenny weekly paper that had become one of the most talked-about and enjoyed periodicals of its time. Punch enjoyed an audience on both sides of the Atlantic, including: Elizabeth Barrett, Robert Browning, Thomas Carlyle, Edward FitzGerald, Charlotte Brontë, Queen Victoria, Prince Albert, Ralph Waldo Emerson, Emily Dickinson, Herman Melville, Henry Wadsworth Longfellow, and James Russell Lowell. Punch gave several phrases to the English language, including The Crystal Palace, and the "Curate's egg" (first seen in an 1895 cartoon). Several British humour classics were first serialised in Punch, such as the Diary of a Nobody and 1066 and All That. Circulation peaked during the 1940s when it reached 175,000, but slowly declined over the years, until the magazine was forced to close in 1992 after 150 years of publication.

Gallery of selected early covers

<Gallery> Image:Punch volume 1 cover (1841).png|The first cover shows Punch hanging the Devil Image:Punch magazine cover 1843 july 1 fifth volume no 103.png|1843: 1 July cover shows Punch straddling a trumpeter Image:Punch.jpg|Punch magazine cover from 1867 shows Richard Doyle's 1849 illustration Image:Punch magazine cover 1916 april 26 volume 150 no 3903.png|1916: 26 April cover shows Richard Doyle's masthead with colour and advertisements </gallery>

1996 resurrection

In early 1996, the Egyptian businessman Mohamed Al-Fayed bought the rights to the name, and it was re-launched later that year. It was reported that the magazine was intended to be a spoiler aimed at Private Eye, which had published many items critical of Fayed. The magazine never became profitable in its new incarnation, and at the end of May 2002 it was announced that Punch would once more cease publication. Press reports at the time quoted a total loss to its owner of some £16 million (about $28 million U.S.) over the six years of publication, with only 6,000 subscribers at the end.

Whereas the earlier version of Punch had prominently featured the clownish character Punchinello (a.k.a. Punch of Punch and Judy) performing various antics on each issue's front cover (in a manner later copied by Mad magazine's character Alfred E. Neuman), the resurrected Punch magazine did not use this character at all, but prominently featured on its weekly covers a photograph of a boxing glove, thus informing its readers that the new magazine intended its name to mean "punch" in the sense of a punch in the eye.

In 2004, much of the archive, including the famous Punch table, was sold to the British Library.

Contributors

Editorial meeting of Punch magazine in the late 19th century

Editors of Punch were:

Mark Lemon (1841-1870)
Henry Mayhew (1841-1842)
Charles William Shirley Brooks (1870-1874)
Tom Taylor (1874-1880)
Sir Francis Burnand (1880-1906)
Sir Owen Seaman (1906-1932)
E.V. Knox (1932-1949)
Kenneth Bird (1949-1952)
Malcolm Muggeridge (1953-1957)
Bernard Hollowood (1958-1968)
William Davis (1969-1977)
Alan Coren (1978-1987)
David Taylor (editor) (1988)
David Thomas (editor) (1989-1992)
Peter McKay (journalist) (September 1996-1997)
Paul Spike (1997)
James Steen (1997-2001)
Richard Brass (2001-2002)

Cartoonists who worked for the magazine included:

Acanthus (Frank Hoar)
Antonia Yeoman|Anton (Antonia Yeoman)
Edward Ardizzone
Nicolas Bentley
Murray Ball
Quentin Blake
Russell Brockbank
Richard Doyle (who also illustrated Charles Dickens' Xmas books)
Rowland Emett
ffolkes (Michael Davies)
Fougasse (Kenneth Bird)
Alex Graham (creator of Fred Basset)
J.B. Handelsman
Leslie Illingworth http://www.arthurwatts.com/
John Jensen
Charles Keene
David Langdon
Larry (Terrence Parkes)
John Leech
George du Maurier
Phil May
Nick Newman
Bernard Partridge
Pont (Graham Laidler)
Matt Pritchett http://news.independent.co.uk/people/obituaries/article2686799.ece
Arthur Rackham
Edward Linley Sambourne
Gerald Scarfe
Ronald Searle
E.H. Shepard (who also illustrated Winnie-the-Pooh)
Robert Sherriffs
William Sillince
George Sprod
John Tenniel (who also illustrated Alice in Wonderland)
Norman Thelwell
Bill Tidy (who attempted to buy Punch when it went out of publication)
Trog (Wally Fawkes)
E A Worthington

Notable authors who contributed at one time or another include Kingsley Amis, Alex Atkinson, John Betjeman, Willard R. Espy, A.P. Herbert, Thomas Hood, Douglas William Jerrold (1841-1857), James Leavey, George du Maurier, George Melly, John McCrae, A.A. Milne, Anthony Powell, W.C. Sellar and R.J. Yeatman, William Makepeace Thackeray, Sir Henry Lucy, John Hollingshead, Artemus Ward, Somerset Maugham, P.G. Wodehouse, Keith Waterhouse, Quentin Crisp, Olivia Manning, Sylvia Plath, Joyce Grenfell, E.M. Delafield, Stevie Smith, Virginia Graham, Joan Bakewell, Penelope Fitzgerald, Peter Dickinson.

Influence

Punch gave its name to the Lucknow-based satirical Urdu weekly Awadh Punch (1877-1936), which in turn inspired dozens of other "Punch" periodicals in India.