The film examines the questions of individual complicity in crimes committed by the state. It does not shy away from difficult issues. For example, defense attorney Hans Rolfe (Schell) raises such thorny issues as the support of a U.S. Supreme Court justice for the practice of eugenics, and Winston Churchill's words of praise for Adolf Hitler.
One noteworthy scene is the testimony of Rudolph Petersen, a German civilian baker, who, considered mentally incompetent, was sterilized by the Nazis in accordance with their social laws. As played by Montgomery Clift, Petersen's nervousness about recounting the horrific tale of his past is visible from the start; he shifts and fidgets constantly on the stand and stammers in his speech. The tension is further amplified when he is cross-examined by defense attorney Rolfe, who reveals that Petersen was removed from school for an inability to learn and because his mother was also deemed mentally incompetent.
During the course of the trial, prosecuting attorney Col. Tad Lawson (Richard Widmark) shows the actual historical footage filmed by American soldiers after the liberation of the concentration camps. The footage and its use in a mainstream American film is historically significant. It was one of the first attempts by the American film industry and mass media to expose the American public at large to the full nature and scope of the Nazi atrocities.
In June 2008, the American Film Institute revealed its "Ten top Ten"?the best ten films in ten "classic" American film genres?after polling over 1,500 people from the creative community. Judgment at Nuremberg was acknowledged as the tenth best film in the courtroom drama genre.[2]
In 2001, a stage adaptation of the film was produced for Broadway, starring Schell, and George Grizzard, with John Tillinger as director.[3]