Herbert Beerbohm Tree

Herbert Beerbohm Tree

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Herbert Beerbohm Tree

Sir Herbert Beerbohm Tree (17 December 1852 ? 2 July 1917) was an English actor-manager.

Life and career
Personal
Discography
Popular culture references
References
External links

Life and career

Born in Kensington, London as Herbert Draper Beerbohm, Tree was the second son of Julius Beerbohm, a Lithuanian-born businessman of German descent, and his English wife Constantia Draper .^[1] His younger half-brother was the parodist and caricaturist Max Beerbohm. (Max jokingly claimed that Herbert added the "Tree" to his name because it was easier for audiences than shouting "Beerbohm! Beerbohm!" at curtain calls.)

Tree as Hamlet in 1892.

Educated in Germany, he went on the stage in 1876 on his return to England, performing with amateur troupes. In 1878 he played Grimaldi in Dion Boucicault's The Life of an Actress; shortly after, he began his professional career. For the next two years he performed mainly in the country. His first London success came in Charles Hawtrey's The Private Secretary in 1884. In 1886 he played Iago with F. R. Benson's company at Bournemouth.

By 1887 he was running the Haymarket Theatre in the West End of London. His tenure there restored the Haymarket to its mid-Victorian prestige. While popular melodramas like Trilby anchored the repertoire, Tree also encouraged the new drama associated with Ibsen, staging such plays as Wilde's A Woman of No Importance and Maeterlinck's The Intruder. Tree also mounted critically-acclaimed productions of Hamlet and The Merry Wives of Windsor. In 1889 he produced Charles Haddon Chambers' play The Tyranny of Tears.^[2]

Ten years later, he helped fund construction of His Majesty's Theatre, also in the West End. He played many of the leading roles in his own elaborate productions, which included the premiere of George Bernard Shaw's Pygmalion, in 1914. The repertory at the new theatre was at least as varied as that of the Haymarket. The theatre opened with a dramatization of Gilbert Parker's The Seats of the Mighty. Dramatizations of novels by Dickens, Tolstoy, and others formed a significant part of the offerings. Tree staged many of the verse dramas of Stephen Phillips. The classical repertory included Molière and others. But the theatre was most famous for its work with Shakespeare. Tree's productions were exceptionally profitable; they were famous, most of all, for their elaborate and often spectacular scenery and effects. In this respect, Tree continued and perfected the realistic tradition of Charles Kean. In the last decade of his career, the experimental and historical method of Poel and others made Tree's spectacles appear somewhat outdated; still, his productions remained well attended and profitable.

Tree, as depicted in the pages of Vanity Fair (1890).

As an actor, Tree was noted for his versatility. He made his name first as a character actor able to adopt widely varying styles; he continued, with liberal use of makeup, to take on a great variety of roles. He was especially noted for his attention to gesture and demeanor. Indeed, criticism of Tree often focused on what was perceived as an excessively external, superficial approach to character. Tree was tall and thin, but his voice was thin, and he was sometimes criticized for struggling to project his voice in a manner that made his performance seem unnatural. He was perhaps most famous for roles as eccentrics such as Malvolio; in the great tragic roles he was largely overshadowed by older actors such as Henry Irving.

Personal

Tree married Helen Maud Holt (1863-1937), who acted as Lady Tree and often played opposite him, in 1882. Iris Tree, the poet and actress, and the actress Viola Tree were their daughters. Tree fathered several illegitimate children with May Pinney, including film director Carol Reed and Peter Reed, the father of the late actor Oliver Reed,^[3] .

He was the grandfather of Hollywood screenwriter and producer Ivan Moffat and the late British actor Oliver Reed and also the great-great-grandfather of actress Georgina Moffat.

Tree directed and starred in the earliest surviving film of an excerpt from a Shakespearean play: King John in 1899. He founded the Royal Academy of Dramatic Art (RADA) in 1904 and was knighted in 1909. He also starred in an early film version of Macbeth, in the 1916 film Macbeth, which is now considered a Lost film. He died in 1917 of blood clots.

Discography

Tree as Shylock, painted by Charles Buchel.

Tree recorded five 10" records for the Gramophone Company (afterwards HMV, couplings as E numbers) in 1906.^[4]

1312 Hamlet's Soliloquy on Death - 'To be, or not to be' from Hamlet (Shakespeare) (3554/E162). (See external link)
1313 Svengali mesmerises Trilby - 'The roof of your mouth is like the dome of the Pantheon' from Trilby (G. du Maurier) (3751/E162).
1314 Mark Antony's lament over the body of Julius Caesar - 'Oh pardon me, thou bleeding piece of earth' from Julius Caesar (Shakespeare) (3557/E161).
1315 (Richard II's) Soliloquy on the death of kings - 'No matter where - of comfort no man speak' from Richard II (Shakespeare) (3556/E163).
1316 Falstaff's speech on Honour - 'Hal, if thou see me down in battle/'Tis not due yet...' from Henry IV, Part 1 (Shakespeare) (3555/E161).

Popular culture references

In the musical Cats, Gus the Theatre Cat claims, "He has acted with Irving, he's acted with Tree."

The songwriter Maude Valerie White dedicated her setting of Byron's 'So we'll go no more a-roving' to Tree, in grateful remembrance of 13th July, 1888.