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Henry Hobson Richardson

Henry Hobson Richardson, portrait by Sir Hubert von Herkomer
Henry Hobson Richardson, portrait by Sir Hubert von Herkomer
Trinity Church in Boston is one of Richardson's most famous works.
Trinity Church in Boston is one of Richardson's most famous works.
Richardson's work can be seen in many areas around Boston, such as Ames Free Library in North Easton.
Richardson's work can be seen in many areas around Boston, such as Ames Free Library in North Easton.
John J. Glessner House, Chicago, Illinois
New York State Asylum, Buffalo, New York

Henry Hobson Richardson (September 29, 1838April 27, 1886) was a prominent American architect of the 19th century whose work left a significant impact on, among others, Boston, Pittsburgh, Albany, and Chicago.

Contents


Biography

Richardson was born at Priestly Plantation in St. James Parish, Louisiana and spent part of his childhood in New Orleans, where his family resided on Julia Row in a red brick house designed by the architect Alexander T. Wood. He was the great-grandson of inventor and philosopher Joseph Priestley.

Richardson went on to study at Harvard College. Initially he was interested in civil engineering, but eventually shifted to architecture which led him to go to Paris in 1860 to attend the famed École des Beaux Arts.

He didn't finish his training there, as family backing failed during the U.S. Civil War. Nonetheless, he was only the second US citizen to attend the École— Richard Morris Hunt was the first. The school was to play an increasingly important role in training Americans in the following decades.

Richardson returned to the U.S. in 1865. The style that Richardson favored, however, was not the more classical style of the École, but a more medieval-inspired style, influenced by William Morris, John Ruskin and others. Richardson developed a unique idiom, however, adapting in particular the Romanesque of southern France.

The 1872 Trinity Church in Boston solidified Richardson's national reputation and provided major commissions for the rest of his life. It was also a collaboration with the construction and engineering firm of the Norcross Brothers, with whom the architect would work on some 30 projects. Evidence of Richardson's contemporary recognition is that, of ten buildings named by American architects as the best in 1885, fully half were his: Trinity Church, Boston, Albany City Hall, Sever Hall at Harvard University, the New York State Capitol in Albany (as a collaboration), and Town Hall in North Easton, Massachusetts.

Richardson died in 1886 at age 47 of Bright's disease, a kidney disorder. He was buried in Walnut Hills Cemetery, Brookline, Massachusetts.

Though not a Richardson design, H.H. Richardson's house in Brookline, MA should also be mentioned in any discussion of his buildings. Richardson spent much of his later years in the house and had a studio attached in order to limit travel (probably due to his health problems). The house has fallen into disrepair and was listed in 2007 as an endangered historic site[1].

Major Work

Richardson's most acclaimed work is Trinity Church in Copley Square, Boston, part of one of the outstanding American urban complexes built as the center piece of the newly developed Back Bay. The Boston Public Library was built across from it later by Richardson's former draftsman, Charles Follen McKim. The interior of the church is one of the leading examples of the Arts and crafts aesthetic in the US.

A series of small public libraries donated by patrons for the improvement of New England towns makes a small coherent corpus that defines Richardson's style: libraries in Woburn, North Easton, Malden, Massachusetts, the Thomas Crane Public Library (Quincy, Massachusetts), and Billings Memorial Library on the campus of the University of Vermont[2]. These buildings seem resolutely anti-modern, with the atmosphere of an Episcopalian vicarage, dimly lit for solemnity rather than reading on site. They are preserves of culture that did not especially embrace the contemporary flood of newcomers to New England. Yet they offer clearly defined spaces, easy and natural circulation, and they are visually memorable. Richardson's libraries found many imitators in the "Richardsonian Romanesque" movement.

Richardson also designed six railroad stations for the Boston & Albany railroad company as well as two stations for other lines. These buildings were more subtle than his churches, municipal buildings and libraries, but still unmistakably his.

After his death, more than 20 other stations were built in Richardson's style for the Boston and Albany line by the firm of Shepley, Rutan and Coolidge, all draftsmen of Richardson at the time of his death. All of the Boston and Albany stations were landscaped by Richardson's frequent collaborator, Frederick Law Olmsted. Additionally, a railroad station in Orchard Park, NY (near Buffalo) was built in 1911 as a replica of Richardson's Auburndale station in Auburndale, MA. The original Auburndale station was torn down in the 1960's during construction of the Massachusetts Turnpike. Of the original Richardson stations on the Boston and Albany line, all have been converted into new uses (such as restaurants). Two of the stations built by Shepley, Rutan, and Coolidge (both in Newton, MA) are still used by Boston's MBTA (green line) public transit service.

Other Work

  • Sever Hall, Harvard University (1880), brickwork, with molded brick string courses with turrets embedded in the walls, strips of windows, under a huge hipped roof as well as Austin Hall (Harvard University) (1882-1884) which followed a more traditional Richardson motif.
  • The Allegheny County Courthouse, Pittsburgh, Pennsylvania, (1883–1888) connected by a bridge to its jail across the narrow street: cyclopean masonry and a tall tower
  • Marshall Field Warehouse, Chicago, Illinois (1887) (demolished 1930), graded variations in rusticated stonework, vast windowed arcading spanning three floors, with not a historical detail in sight
  • Buffalo's New York State Asylum (1870), shown on the right, was the largest building of the master's career and the first to display his characteristic style. The complex was also the first of many projects on which he worked with Frederick Law Olmsted.

Richardsonian Romanesque

see main article Richardsonian_Romanesque

Richardson is one of few architects to be immortalized by having the honor of having a style named after him. "Richardsonian Romanesque", unlike Victorian revival styles like Neo-Gothic, was a highly personal synthesis of the Beaux-Arts predilection for clear and legible plans, with the heavy massing that was favored by the pro-medievalists.

Significant to Richardson's style was his picturesque massing and roofline profiles, along with his mastery of rustication and polychromy, semi-circular arches supported on clusters of squat columns, and round arches over clusters of windows on massive walls.

Following his death, the Richardsonian style was perpetuated by a variety of proteges and other architects, many for civic buildings like city halls, county buildings, court houses, train stations and libraries, as well as churches and residences. These include:

Chronological list of extant works[3]

Images

<gallery> Image:RichardsonAlbanyCityHall.jpg|Albany City Hall, Albany, New York Image:RichardsonBrattleSqBoston.jpg|Brattle Square Church, Boston, Massachusetts, with sculpture by Frédéric Bartholdi (who did the Statue of Liberty) Image:Trinity Church, Boston, Massachusetts - front oblique view.JPG|Trinity Church, Boston

Image:RichardsonChaneyHartford.jpg|Cheney Building, Hartford, Connecticut Image:AlleghenyCtyCourthouse-082904.jpg|Allegheny County Courthouse, Pittsburgh, Pennsylvania

Image:Grace Episcopal Church (Medford, MA) - west facade.JPG|Grace Episcopal Church, Medford, Massachusetts Image:Old Colony Railroad Station (North Easton, MA) - view from southeast.jpg|Old Colony Railroad Station, North Easton, Massachusetts Image:RichardsonGateHouseNEaton.jpg|Ames Gate Lodge, North Easton, Massachusetts Image:Oakes Ames Memorial Hall (North Easton, MA) - front facade.JPG|Oakes Ames Memorial Hall, North Easton, Massachusetts

Image:Ames Free Library (North Easton, MA) - oblique view.JPG|Ames Free Library, North Easton, Massachusetts Image:Thomas Crane Public Library, Quincy, Massachusetts (Front view).JPG|Thomas Crane Public Library, Quincy, Massachusetts Image:Converse Memorial Library (Malden, MA) - angle view.JPG|Converse Memorial Library, Malden, Massachusetts Image:Woburn, Massachusetts, Library with statue of Benjamin Thompson.JPG|Winn Memorial Library, Woburn, Massachusetts

Image:RichardsonGlessnerChicago1.jpg|John J. Glessner House, Chicago, Illinois Image:Robert Treat Paine Estate - exterior view.JPG|Robert Treat Paine Estate, Waltham, Massachusetts Image:William Watts Sherman House (Newport, RI) - from southwest.jpg|William Watts Sherman House, Newport, Rhode Island

Image:Sever Hall (Harvard University) - east facade.JPG|Sever Hall, Harvard University Image:Austin Hall, Harvard University.JPG|Austin Hall (Harvard University) Image:Ames Monument (Laramie, Wyoming).jpg|Ames Monument, Laramie, Wyoming Image:BagleyMemorialFountainDetroit.jpg|Bagley Memorial Fountain, Detroit, Michigan </gallery>

Notes

  1. National Trust For Historic Preservation Press Website - H.H. Richardson House in Brookline, Massachusetts
  2. UVM Billings History - Provost
  3. H.H. Richardson Complete Architectural Works by Jeffrey Karl Ochsner, 1982

References

  • Breisch, Kenneth A,. Henry Hobson Richardson and the Small Public Library in America: A Study in Typology, MIT Press, 1997
  • Floyd, Margaret Henderson, Henry Hobson Richardson: A Genius for Architecture, Monacelli Press, NY 1997
  • Hitchcock, Henry Russell, The Architecture of H. H. Richardson and His Times, Museum of Modern Art, NY 1936; 2nd ed., Archon Books, Hampden CT 1961; rev. paperback ed., MIT Press, Cambridge MA and London 1966
  • Larson, Paul C., ed., with Susan Brown, The Spirit of H.H. Richardson on the Midland Prairies: Regional Transformations of an Architectural Style, University Art Museum, University of Minnesota, Minneapolis, and Iowa State University Press, Ames 1988
  • Meister, Maureen, ed., H. H. Richardson: The Architect, His Peers, and Their Era, MIT Press, Cambridge MA 1999
  • Ochsner, Jeffrey Karl, H.H. Richardson: Complete Architectural Works, MIT Press, Cambridge MA 1984
  • Ochsner, Jeffrey Karl, and Andersen, Dennis A., Distant Corner: Seattle Architects and the Legacy of H. H. Richardson, University of Washington Press, Seattle 2003
  • O'Gorman, James F., Living Architecture: A Biography of H. H. Richardson, Simon & Schuster, NY 1997
  • O'Gorman, James F., H. H. Richardson: Architectural Forms for an American Society, University of Chicago Press, Chicago 1987
  • O'Gorman, James F., H. H. Richardson and His Office: Selected Drawings, David R. Godine, Boston 1974
  • Roth, Leland M.,A Concise History of American Architecture, Harper & Row publishers, NY, NY 1979
  • Shand-Tucci, Douglas, Built in Boston: City and Suburb, 1800 - 1950, University of Massachusetts Press, Amherst, MA 1988
  • Van Rensselaer, Mariana Griswold, Henry Hobson Richardson and His Works, Dover Publications, Inc. NY 1959 (Reprint of 1888 edition)
  • Van Trump, James D., "The Romanesque Revival in Pittsburgh," Journal of the Society of Architectural Historians, Vol. 16, No. 3 (October 1957), pp. 22-29

External links

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