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Ektachrome
Ektachrome is a brand name owned by Kodak for a range of transparency still and motion picture films available in most formats, including 35 mm and sheet sizes to 11x14 inch size. Readers familiar with old National Geographic magazines will recall the distinctive look of Ektachrome, used for decades for color shots wherever Kodachrome was too slow. http://photo.net/bboard/q-and-a-fetch-msg?msg_id=00DAcU Ektachrome, initially developed in the early 1940s, allowed professionals and amateurs alike to process their own films. It also made color reversal film more practical in larger formats, and the Kodachrome Professional film in sheet sizes was later discontinued. Ektachrome, unlike Kodachrome, was a product that small professional labs could afford equipment to develop. Many process variants (designated E-1 through E-6) were used to develop it over the years. Modern Ektachrome films are developed using the E-6 process, which can be carried out by small labs or by an amateur using a basic film tank and tempering bath to maintain the temperature at 100°F (38°C). Although the Ektachrome name was once associated with both amateur and professional films, Kodak, , uses the Ektachrome brand for professional films. Consumer Kodak E-6 films are now branded Elite Chrome. Ektachrome film was used when shooting part of the 1999 film Three Kings and cross processed to give a unique appearance.
ProcessingAlthough Kodachrome is often considered a superior film due to its archival qualities and color palette, advances in dye and coupler technology have blurred the boundaries between the differing processes, along with Kodak having abandoned Kodachrome research & development since the mid 1990's. Furthermore, the developing of Kodachrome has always required a complex, fickle process requiring an on-site analytical lab and today (2007) requiring a turnaround of several days to allow for shipping times to the one remaining Kodachrome processing facility, Dwayne's Photo in Parsons, Kansas. By contrast, small professional labs have been able to process Ektachrome on-site since the 1950s, with product safety and effluent discharge having been drastically improved since the 1970s, when Kodak reformulated their entire color chemistry lineup. Amateur labs are also able to process Ektachrome within an hour using a rotary tube processor (made by Jobo, WingLynch or PhotoTherm), sink-line, or even by hand inversion in a small drum. Ektachrome variants
There were some other Ektachrome processes for 16 mm motion picture films:
The following processes were used for amateur Ektachrome super 8 mm movie film:
Process history
Other film manufacturers use their own designations for nearly identical processes. They include Fujifilm's process CR-55 (E-4) and CR-56 (cross-licensed with Kodak's process E-6; but with slight variations in the first developer); and the now-discontinued Agfachrome and Konica's CRK-2 (E-6 equivalent). High Speed Ektachrome, announced in 1959[1] provided an ASA 160 color film, which was much faster than Kodachrome. In 1968, Kodak started offering push processing of this film, allowing it to be used at ASA 400.[2] The E-4 process was generally stopped after 1977, although continued in use for Kodak PCF (Photomicrography Color Film) until the 1980s, and for Kodak IE (Color Infra-red film) until 1996. This was due to a legal commitment by Kodak to provide the process for 30 years. The Ektachrome process differs significantly to the Agfa Process AP-41, used generally until 1983 to develop films such as Agfachrome CT18 and 50s Professional. References
External linksOfficial Kodak information
Processing of older Ektachrome filmsProcesses E-2, E-3 and E-4:
de:Kodak Ektachrome fr:Kodak Ektachrome 
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