Daredevil (film)
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Daredevil (film)
Daredevil is a 2003 superhero film written and directed by Mark Steven Johnson. Based on the Marvel Comics character of the same name, the film stars Ben Affleck as Matt Murdock, a blind lawyer who fights for justice in the courtroom and out of the courtroom as the masked vigilante Daredevil. Jennifer Garner plays his love interest Elektra Natchios, Colin Farrell plays the perfectly-aimed assassin Bullseye and Michael Clarke Duncan plays Wilson Fisk, also known as the crime lord Kingpin. The film began development in 1997 at 20th Century Fox and Columbia Pictures, before New Regency acquired the rights in 2000. Johnson wrote the screenplay and pushed Avi Arad to be able to direct it as well. He chose to shoot the film primarily in Downtown Los Angeles despite the Hell's Kitchen, Manhattan setting of the film and the comics. Rhythm and Hues Studios were hired to handle CGI, and Steve Boeddeker did the sound engineering. Varèse Sarabande released the score for Daredevil, composed by Graeme Revell. Reviews for Daredevil were generally mixed or average, but did well enough to allow a spin-off film, Elektra, which was released in 2005. A vastly-different, R-rated director's cut of the film was released in 2005, including about 30 minutes of scenes cut at the last minute from the theatrical release.
Cast
Stan Lee, Frank Miller and Kevin Smith, each notable for their work on the Daredevil comics, also have cameo roles throughout the film.[6] The Director's Cut version also features Jude Ciccolella and Coolio in a sub-plot removed from the theatrical version. ProductionDevelopmentIn 1997, 20th Century Fox optioned the rights from Marvel Enterprises, and Chris Columbus was chosen to direct the film. In 1998, Marvel was facing bankruptcy. During this time 20th Century Fox allowed the option to expire, so Disney began negotiations in order to acquire the rights. In 1999, the negotiations failed to work out so Marvel sets the project up with Sony's Columbia Pictures.[16] During this time, Chris Columbus and Carlo Carlei co-wrote a script together,[17] before Mark Steven Johnson got signed to write the screenplay. By 2000, Sony decided to cancel the project,[16] as the two companies reportedly couldn't come to an agreement over Internet rights.[18] New Regency entered negotiations with a more satisfying offer, attaining the character rights from Marvel in 2000 to produce the film, with 20th Century Fox handling the distribution.[19] Mark Steven Johnson had to pitch himself again in order to show he's suitable for the job, and became rehired.[16] Johnson's script was turned in in 2001, which was praised by Ain't It Cool News' Harry Knowles.[20] Prior to shooting, producer Gary Foster said that in comparison to other comic book-based films before it, this film would be "more character-driven ... darker ... edgier,"[21] whilst Marvel Studios Executive Kevin Feige felt the script was one of the strongest comic scripts Marvel had received.[22] Filming20th Century Fox wanted to start filming in Canada in order to save money. This plan was contended by Mark Steven Johnson, and the film's cinematographer, Ericson Core, after they found a preferred area for shooting around downtown Los Angeles' Arcade Building. Core noted that the appeal came from the "beautiful, old brick buildings and great rooftops," which they felt was perfect for a depiction of Hell's Kitchen, Manhattan, in comparison to the studio's choice where the filming would be done in Montreal or Vancouver. Due to their insistence, coupled with Ben Affleck's disinterest in filming in Canada (after having filmed there for his previous film, The Sum of All Fears) they were able to overturn the studio's mind.[23] When the look of the film was being decided, Mark Steven Johnson opted to use direct scenes from the Daredevil comics. Joe Quesada's Guardian Devil was an influence on the film, with Johnson noting that they would "literally take out a scene from the comic book that Joe did [?] Here's Daredevil on the cross, you know, it's that scene from 'Guardian Devil'. You just shoot that."[3] Throughout the film, Ben Affleck had to wear "cataract milky-blue" contacts, which would effectively make him blind. This was considered great by Johnson, as it would aid his performance.[24]EffectsThe sound plays an integral part in the film, as the superhero relies on it in order to form his 'radar sense'. The sound was engineered by Steve Boeddeker and is heard taking place immediately after Matt's optic nerve is seen mutating. The mutating of the nerve was done by Rhythm and Hues Studios, who also worked on the radar-sense which became referred to as "shadow world." Shadow world was made using just CGI except in a scene where Elektra and Matt Murdock are in the rain, the scene was done using CGI over film.[24] MusicThe score to Daredevil was written by Graeme Revell, and was released on March 4, 2003.[25] Avi Arad asked Revell to concentrate more on the emotions of Daredevil and Elektra, whilst Mark Steven Johnson wanted to stay clear from any Gothic and action movie clichés. Revell tried to avoid too much individual motifs but some characters would have an identifiable sound, like Bullseye would have guitar undertones, while Kingpin would have bass beats. Guitarist Mike Einziger of Incubus collaborated with Revell for any additional rock elements. Varèse Sarabande put together the score record.[26] References to Daredevil creatorsThe film contained many nods to Daredevil comic writes and artists throughout the film, and these included the following:[24]
ReleaseMarketingAside from expected TV commercials during such TV hits as Friends and Law & Order, as well as one in the second quarter of the Super Bowl, there was also a tie-in with Kraft, an in-store promotion at Wal-Mart, a marketing campaign with Hamilton Watch Company, who designed the watch Murdock wears in the film[27], and a weeklong Daredevil segment on Entertainment Tonight.[28] As part of an online form of marketing, a viral e-mail drive was started, where participants would be entered in prize draw where they could win things such as Daredevil t-shirts, Gameboy Advance games and cufflinks. To enter the drawing, the user to booked tickets for the film online, then passed an e-mail on to someone else, making them eligible. The idea was to encourage online ticket booking, which at the time was seen as a growing trend.[29] The Gameboy Advance game was released on 14 February 2003, and was created by Encore, a subsidiary of Navarre Corporation.[30] Box officeDaredevil opened theatrically on the 14th February 2003, on 3,471 screens.[16] The film took first place in its opening weekend, making $45,033,454. At the time, it became the second biggest February release, behind Hannibal.[31] By the second weekend the film saw a 55.1% decline in takings but managed to maintain the number one spot, beating new release Old School by $639,093.[32] By the third weekend release, Daredevil saw a further 38.5% drop in sales, and so fell to third place at the box office.[33] The film grossed over $102 million in North America, and over $76 million in the rest of the world, totalling the film's worldwide takings at just over $179 million.[34] Avi Arad addressed the top spot success by saying "we are five for five with record-breaking box office successes and have two more Marvel releases slated for this summer. It's a testament to the broad appeal of these characters before mainstream audiences outside of the core comic fans. These super heroes have been successful within the Marvel pantheon for decades; it only makes sense that their translations to the big screen are just as fruitful."[35] Due to the film's violent scenes, Daredevil was banned in Malaysia. 20th Century Fox had appealed to Malaysia's censorship board to change its decision, hoping that the film would be due for release in Malaysia on 27 February 2003.[36] Malaysian newspaper The Star also noted that the ban was due to the film theme being "focused on the dealings of a secret society," as well as some sensuality. The article criticized the Film Censorship Board of Malaysia for having these reasons to ban the film, but at the same time allowing films such as Final Destination 2, which contained violent content, and Infernal Affairs, which focused on the dealings of a secret society, before suggesting that the board should have considered banning The Lord of the Rings: The Two Towers for "having scenes containing violence using weapons and hands," a direct quotation of which the article cited as being another reason why Daredevil was banned.[37] ReceptionDaredevil received mixed reviews from critics.[38][39] Review aggregate website Rotten Tomatoes reported that 43% of critics gave the film positive feedback, based on 201 reviews,[38] with a 44% rating from selected "notable" critics.[40] At the website Metacritic, which assigns its own subjective rating out of 100 to each review, the film has received an average score of 42, based on 35 reviews.[39] Roger Ebert gave the film 3 out of a possible 4 stars and called the film good, despite noting the almost typical superhero background. Of the actors, he stated that Ben Affleck and Jennifer Garner were suitable for their roles, whilst Michael Clark Duncan's presence alone was menacing. He finished by saying "I am getting a little worn out describing the origin stories and powers of superheroes [?] Some of their movies, like this one, are better than others."[41] Houston Chronicle's Bruce Westbrook considered it "the best Marvel movie to date, it's as well-written and character-driven as some of today's Oscar contenders, and its story doesn't stall with hollow flamboyance."[42] The Austin Chronicle's Kimberly Jones praised the film, the actors, and felt that though an unproven director, "Johnson has just signed his meal ticket with this marriage of big brains, big brawn, and ? most happily ? big heart."[43] Empire's Kim Newman gave the film 3 out of 5 stars, and felt people "will like the characters more than the film," before adding that there are enough strong moments to guarantee a good viewing.[44] The Guardian's Peter Bradshaw, considered the film held "unconvincing touches" but was more enjoyable than Spider-Man, as well as calling it as dark as Tim Burton's Batman.[45] BBC film critic Nev Pierce believed the film had spectacular set-pieces, but felt there was no strong narrative arc to keep the viewer interested.[46] The Wall Street Journal's Joe Morgenstern didn't consider the film to be original nor great, but felt it maintained "many grace notes, and interesting oddities."[47] The Globe and Mail's Rick Groen said the film was "not woeful, not wonderful, merely watchable."[39] The Philadelphia Inquirer's Steven Rea thought the film brought a variance of humour and violence, but felt it didn't work as well as it could have.[39] James Berardinelli felt the film was merely a satisfactory superhero film.[39] TV Guide's Frank Lovece noted that for a superhero film the characters are more grounded to reality, respectively, but also felt it was "a movie for grown-ups, not kids."[48] Particularly negative reviews included The New York Times' Elvis Mitchell, who said the film was "second-rate and ordinary,"[38] whilst Variety's Todd McCarthy considered it "a pretender in the realm of bona fide superheroes."[49] Time Out's Trevor Johnston praised Ben Affleck, feeling he "persuades us of the pain of sightlessness and supersensitive hearing," but also felt writer/director Johnson's construction fails all involved in the film.[50] Slate's David Edelstein believed Johnson copied a lot of Batman, and concluded by saying "that's not so bad: The movie looks best when it looks like other, better movies."[51] The Chicago Tribune's Michael Wilmington thought the film grabs the attention, but felt it doesn't reward it.[39] The New York Post's Lou Lumenick panned the film, describing it as a "mind-numbing, would-be comic-book franchise, which often seems as blind as its hero -- not to mention deaf and dumb."[39] Director's cutIn December 2004, a director's cut of the film was released on DVD. This version added 30 minutes of footage not seen in the original, including an entire subplot involving Murdock defending a murder suspect played by rapper Coolio. Director Mark Steven Johnson clashed with Producer Gary Foster and the studio Twentieth Century Fox about the final cut of the film, with the latter wanting a fast-paced and shorter film. The reasons for the different cuts are thoroughly explained by Gary Foster and Mark Steven Johnson in a documentary on the making of the director's cut on this DVD. On September 30th 2008 the Directors Cut was released on Blu-Ray DVD. Online response to the Director's Cut has been mainly well. SequelKevin Feige has stated "there are many more stories to be told with old Hornhead and we'd love to tell them someday,"[52] with Avi Arad further adding that the sequel will begin development once the rights go from 20th Century Fox to Marvel Studios.[53] Ben Affleck stated that he would never reprise the role, calling it 'humiliating'.[54] Director Mark Steven Johnson showed interest in returning to direct with the Born Again storyline.[55] Michael Clarke Duncan stated strong interest in returning. Johnson stated that the villain Mr. Fear[55] is a possibility to appear for the sequel. Recently, Jason Statham has expressed interest at appearing in a Daredevil sequel. Statham reportedly said, "Could a British actor wear the red horns of the Man Without Fear?? Absolutely, just give me the chance, I would love to be Daredevil." Frank Miller added, "I think he should be Daredevil too."[56] In October of 2008, 20th Century Fox executive Tom Rothman said that "a Daredevil reboot is something we are thinking very seriously about." Rothman added that "what it really needs is, it needs a visionary at the level that [The Dark Knight director] Chris Nolan was. It needs someone, it needs a director, honestly, who has a genuine vision."[57] ReferencesFurther readingExternal links
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