Staatsoper Unter den Linden, 2003

History

Early years

Berlin Court Opera in 1832

Berlin Court Opera, rebuilt after a fire in 1843

In 1842, Gottfried Wilhelm Taubert instituted the tradition of regular symphonic concerts. In the same year, Giacomo Meyerbeer succeeded Gaspare Spontini as General Music Director. Felix Mendelssohn also conducted symphonic concerts for a year.

On August 18, 1843 the Linden Opera was destroyed by fire. A new building designed by architect Carl Ferdinand Langhans, known as the Königliches Opernhaus (Royal Opera House), was inaugurated the following fall by a performance of Meyerbeer's Ein Feldlager in Schlesien.

In 1821, the Berlin Opera gave the premiere of Weber's Der Freischütz. In 1849, it premiered Otto Nicolai's Die lustigen Weiber von Windsor, conducted by the composer himself.

20th century

At the end of the 19th century and the beginning of the 20th century, the Royal Court Opera, Berlin, attracted many illustrious conductors. including Felix von Weingartner, Karl Muck, Richard Strauss, and Leo Blech.

After the collapse of the German Empire in 1918, the Opera was renamed Staatsoper unter den Linden and the Königliche Kapelle became Kapelle der Staatsoper.

In the 1920s, Wilhelm Furtwängler, Erich Kleiber, Otto Klemperer, Alexander von Zemlinsky, Bruno Walter occupying the conductor's post. In 1925, Alban Berg's Wozzeck, was given its premiere in a production conducted by Erich Kleiber in the composer's presence.

After having undergone an extensive renovation, the Linden Opera reopened in April 1928 with a new production of Die Zauberflöte. In the same year, the famous Russian bass Feodor Chaliapin and Serge Diaghilev's Ballets Russes with conductor Ernest Ansermet are guest performers. In 1930 Erich Kleiber conducted premiere of Darius Milhaud's Christoph Columbus. However, in 1934, when symphonic pieces from Alban Berg's Lulu were performed by Kleiber, the National Socialists provoked a scandal and he was forced into exile.

After Hitler's Nazi takeover, members of Jewish origin were dismissed from the ensemble. Many German musicians associated with the opera went into exile, including the conductors Otto Klemperer and Fritz Busch. During the Third Reich, Robert Heger, Herbert von Karajan (1939-1945) and Johannes Schüler were the "Staatskapellmeister".

• 1938 Werner Egk conducted the first night of his opera Peer Gynt on November 24. Herbert von Karajan´s interpretation of Mozart´s Die Zauberflöte was performed on December 18. Karajan continued as Generalmusikdirektor, the principal musical director of the Staatsoper Unter den Linden between 1941 and 1945.
• 1939 Karajan conducted a performance of Rudolf Wagner-Régeny's Die Bürger von Calais.
• 1940 On October 21, Karajan conducted a symphonic concert with the Staatskapelle at the Old Philharmonic.
• 1942 The Lindenoper was bombed in 1941. The House reopened on December 12 with Wilhelm Furtwängler´s interpretation of Wagner´s Die Meistersinger von Nürnberg.
• 1944 When Josef Goebbels proclaimed his ?Total War?, the Staatsoper was closed. The last performance was Mozart´s Le nozze di Figaro, conducted by Johannes Schüler on August 31. The Staatskapelle continued to perform symphonic and opera concerts. On October 4 and 5, Karajan conducted Bruckner´s 8th symphony.
• 1945 The Lindenoper was once again destroyed on February 3. The concerts were relocated to the Admiralspalast and the Schauspielhaus. On February 18, Herbert von Karajan conducted his last symphonic concert with the Staatskapelle in the Beethoven hall.

Postwar years

The second rebuilding took a long time. From 1945, the opera company played in the former Admiralspalast (today's Metropoltheater). From 1949, the company served as state opera of the GDR. It moved back to its original home after the rebuilding in freely adapted baroque forms was finally completed in 1955. The newly rebuilt opera house was opened, again, with Wagner's Die Meistersinger von Nürnberg.

After the Berlin Wall was built in 1961, the Opera was somewhat isolated, but still maintained a comprehensive repertoire that featured the classic and romantic period together with contemporary ballet and operas.

After reunification, the Linden Opera rejoined the operatic world. Important works that had already performed in the past were rediscovered and discussed anew within the framework of a "Berlin Dramaturgy". Baroque Opera in particular was at the center of attention, with Cleopatra e Cesare, Croesus, L'Opera seria and Griselda. These works were performed by Belgian conductor René Jacobs together with the Akademie für Alte Musik Berlin and the Freiburger Barockorchester on period instruments. In the 1990s, the opera was officially renamed "Staatsoper Unter den Linden".

In 1992, the Argentine-Israeli conductor Daniel Barenboim was appointed Music Director. In 2000, the orchestra (according to its official website) elected Barenboim "conductor for life." During the 2002 Festtage, he led a Wagner cycle in ten parts, a production created in collaboration with director Harry Kupfer.

Leadership

See also

• Music in Berlin

References

External links

• Berlin State Opera website
• Reviews, articles, production photos and future schedules for the Berlin State Opera from The Opera Critic

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