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American Beauty (film)

American Beauty is a 1999 drama film set in modern American suburbia. Starring Kevin Spacey and Annette Bening, it was the feature film debut for writer Alan Ball and director Sam Mendes. All four were nominated for Academy Awards, and the film won a total of five including Best Picture.

Contents


Plot

The film opens with camcorder footage of a teenage girl reclining on a bed. She laments that her father is unsuccessful at acting as a role model and says she is humiliated by his attraction to her best friend. A man's voice, presumably that of the camera operator, asks if she wants him to kill her father. The girl sits up and looks squarely into the camera, saying, "Yeah. Would you?"

The movie begins in earnest with Lester Burnham (Spacey), a 42-year-old father and advertising executive who serves as the film's narrator. Lester's family life is messy - his wife Carolyn (Bening) is an ambitious realtor who feels that she is unsuccessful at fulfilling her potential, and his 16-year-old daughter Jane (Birch) is unhappy and struggling with self-esteem issues. Lester himself is a self-described loser: boring, faceless and easy to forget. Lester is reinvigorated, however, when he meets Jane's friend and classmate Angela Hayes (Suvari) at a high school basketball game. Lester immediately develops an obvious infatuation with Angela, and Jane feels embarrassed as a result. Throughout the film, Lester has fantasies involving a sexually aggressive Angela and red rose petals. Also throughout the film, Angela flirts with a nervous Lester, although it is clear that she does it only because she finds Jane's discomfort amusing.

The Burnhams' neighbors are Colonel Frank Fitts, USMC (Cooper), his wife Barbara (Janney), and his son Ricky (Bentley). When confronted with the gay couple living two doors down, Col. Fitts displays a distinctly bigoted attitude that establishes his motives for actions taken later in the film.

Over the course of a single day, each of the Burnhams make life-changing choices. Carolyn meets real estate rival Buddy Kane for a business lunch and ends up having enthusiastic sex with him in a motel. Lester quits his job and takes up low-pressure employment as a burger-flipper at a fast food chain. Jane and Ricky bond over his father's WWII paraphernalia, and then one of his camcorder movies of what he considers his most beautiful footage, that of a plastic grocery bag dancing in the wind.

Lester continues to liberate himself from failure by trading in his Toyota Camry for his dream car, continuing to work out, and smoking marijuana. Carolyn finds contentment in her continuing affair with Buddy Kane and with visits to a local firing range. Ricky and Jane grow ever closer, communing in his bedroom with a confessional that leads to the video camera footage seen at the beginning of the film (although in this extended scene we see that Jane is anything but serious about killing her father).

The film's final act opens with Lester's narration: "Remember those posters that said, 'Today is the first day of the rest of your life?' Well, that's true of every day except one: the day you die." Col. Fitts, concerned over the growing relationship between Lester and Ricky, roots through his son's possessions and finds a tape of Lester working out naked. Buddy and Carolyn are found out by Lester, who seems to be completely unfazed by his wife's infidelity. Carolyn, who is almost more devastated by Lester's indifference than by her being exposed as an adulteress, is further dismayed when Buddy reacts by breaking off the affair.

As evening falls, Col. Fitts mistakes Ricky's drug transaction with Lester for a lovers' rendezvous. Ricky returns home to find his father waiting for him with fists and vitriol. Finally fed up, he rushes to Jane's house and asks her to flee with him to New York City immediately. When Angela protests, Ricky shoots her down with her worst fear - that she is not ugly, but completely ordinary. Lester finds an emotionally fragile Fitts standing outside in the pouring rain and attempts to comfort him, but is taken by surprise when Fitts kisses him. Lester gently rebuffs him. Fitts, shamed and broken, wanders back into the rain. Meanwhile, Carolyn sits alone in her car on the side of the road. She decides that she will take control of her own destiny and snatches up her gun from the glove compartment.

Lester finds a distraught Angela and is on the edge of consummating their relationship, but the seduction is derailed when she confesses that she is a virgin. Lester immediately withdraws, and they bond over their shared frustrations with Jane. She asks how he's feeling and he realizes, to his surprise, that he feels great. Angela excuses herself to the bathroom as Lester contemplates a photo of himself in happier times. Unaware of the gun being placed to the back of his head, Lester smiles considers the changes he has made in his life, and reflects this only through his last words: "Man oh man. Man oh man oh man."

The film ends with Lester's description of his life flashing before his eyes, interspersed with scenes of the other characters at the moment of the gunshot. Lester himself, looking back on these events from his vantage point as narrator, is content:

Cast

Production

Alan Ball originally wrote American Beauty for the stage. He saw a paper bag floating in the wind near the World Trade Center plaza and was inspired by it to write the film.[1]

Many of the school scenes were shot at South High School in Torrance, California, and most of the extras in the gym crowd were South High students. Sam Mendes designed the two girls' appearances to change over the course of the film, with Thora Birch gradually using less makeup and Mena Suvari gradually using more, to emphasize their shifting perceptions of themselves.

Singer and dancer Paula Abdul choreographed the cheerleading scene.[2]

During the movie's second dinner scene, Spacey was only supposed to throw the plate of asparagus onto the floor. However, while shooting, Spacey improvised and pitched it at the wall, bringing about genuine reactions of shock to Bening and Birch's faces.

Deleted plotlines

According to Chris Cooper, much of Col. Fitts' backstory was eliminated from the final script, in which Fitts is a closeted homosexual who lost his male lover during the Vietnam War.[3]

Alan Ball's original screenplay had opening and ending scenes in which Col. Fitts frames Jane and Ricky for the murder of Lester. They go to jail, but Col. Fitts' wife finds his bloody shirt and sends it to the authorities. After shooting these scenes, Sam Mendes removed many of them for the first cut, feeling that they made the film lose its mystery.[4] Although Ball and Mendes initially disagreed, Ball accepted the new version after Mendes made further cuts to that part of the plot, which "worked on the page but not really on screen."[5] In the DVD commentary, Mendes refers to deleted scenes for the viewer to find on the disc. However, these scenes are not on the DVD as he had changed his mind after recording the commentary.[6]

Soundtrack and score

The score to American Beauty was composed by Thomas Newman, for which he was nominated for an Academy Award. The soundtrack features songs by artists such as The Who, Free, Eels, The Folk Implosion, Gomez, and Bob Dylan, as well as a cover version of The Beatles "Because" performed by Elliott Smith. The film also features "Don't Let It Bring You Down" performed by Annie Lennox, though this was not included on the soundtrack.

The Original Motion Picture Score was later released on January 11, 2000. This contains 19 tracks composed by Thomas Newman for the film.

The score was sampled in the 2000 dance track "American Dream" by Jakatta.

Reception

Three months before the film's opening, New York Times reviewer Bernard Weinraub described it as "the most talked about film of the moment." His column, which ran on the weekend of July 4, gave few specifics regarding the film but noted that it was generating "tremendous buzz" in the DreamWorks studio, as the details of how and when the movie would be released were debated; it also reported that Steven Spielberg (a co-founder of DreamWorks) called the film one of the best he had seen in years and that Bening was moved to tears at an early screening.[7][8]

The movie premiered on September 8, 1999, in Los Angeles, California, to reviews that generally reaffirmed the advance hype, uniformly praising the cast, script, and cinematography, as well as the first-time direction by Mendes. Writing for the San Francisco Chronicle, Edward Guthman called it "a dazzling tale of loneliness, desire and the hollowness of conformity." Jay Carr for the Boston Globe called the film "a millennial classic"; the New York Post called it "a flat-out masterpiece." Among the smaller number of critics who expressed negative opinions of the film were J. Hoberman of the Village Voice and Wesley Morris of the San Francisco Examiner, both of whom were critical of the film's script and direction, if not its performances.[9]

On September 11, it was shown at the Toronto International Film Festival, where it won the People's Choice award just days before its opening. Aided tremendously by the positive press, the film took in $861,531 on its opening weekend in the United States, despite a limited release to only 16 screens. By October, the film was released to a wider audience, and quickly surpassed the film's estimated $15,000,000 production budget. Ultimately, the film would gross $356,296,601 internationally.[10]

Scenes from the Los Angeles and Toronto premieres, as well as other unique footage related to American Beauty, are featured in the 2008 documentary My Big Break, directed by T.W. Zierra, which follows Wes Bentley before and after he landed his breakout role as Ricky Fitts.

Awards

The movie dominated the 2000 Oscars, with a total of eight nominations and five wins. It also had another 82 wins and 63 nominations at numerous other award ceremonies.

Wins

Nominations

  • Academy Award for Best Actress (Annette Bening)
  • Academy Award for Original Music Score (Thomas Newman)
  • Academy Award for Film Editing (Tariq Anwar)
  • American Cinema Editors, USA: Eddie for Best Edited Feature Film - Dramatic
  • American Comedy Awards, USA: American Comedy Award for Funniest Motion Picture, Funniest Actor in a Motion Picture (Leading Role)
  • Art Directors Guild: Excellence in Production Design Award for Feature Film
  • Awards of the Japanese Academy: Award of the Japanese Academy for Best Foreign Film
  • BAFTA Award for Best Direction (David Lean Award for Direction) (Sam Mendes)
  • BAFTA Award for Best Screenplay - Original (Alan Ball)
  • BAFTA Award for Best Performance by an Actor in a Supporting Role (Wes Bentley)
  • BAFTA Award for Best Performance by an Actress in a Supporting Role (Thora Birch)
  • BAFTA Award for Best Performance by an Actress in a Supporting Role (Mena Suvari)
  • BAFTA Award for Best Sound
  • BAFTA Award for Best Production Design
  • BAFTA Award for Best Make Up/Hair
  • Blockbuster Entertainment Awards: Blockbuster Entertainment Award for Favorite Actress - Drama, Favorite Supporting Actor- Drama, Favorite Supporting Actress - Drama, Favorite Actor - Drama, Favorite Actress - Newcomer (Internet Only)
  • BRIT Awards: Brit for Best Soundtrack
  • Chicago Film Critics Association Awards: CFCA Award for Best Cinematography, Best Screenplay, Best Actress
  • Cinema Audio Society, USA: C.A.S. Award for Outstanding Achievement in Sound Mixing for a Feature Film

In popular culture

  • Rise Against's song "Last Chance Blueprint" from Revolutions Per Minute (2003) begins with a clip of dialogue from American Beauty:
  • Angela Hayes: Jane, he's a freak!
  • Jane Burnham: Then so am I! And we'll always be freaks and we'll never be like other people and you'll never be a freak because you're just too... perfect!
  • The film Madagascar (2005 film) parodies the cheerleader fantasy scene, with Alex the lion having a fantasy about steaks instead of rose petals.
  • The film was a major inspiration for the TV show Desperate Housewives.
  • The film is parodied in two episodes of the animated television series Family Guy:
    • In the episode "The Kiss Seen Around the World", the character Peter Griffin is recording footage of his son riding his first tricycle when he is distracted by a floating plastic bag and muses on its beauty; God then shouts at him that "It's just some trash blowing in the wind! Do you have any idea how complex your circulatory system is?"
    • In the episode "Peter Griffin: Husband, Father...Brother?" parodies the cheerleading fantasy; a hungry Peter Griffin imagines fried chicken, rather than rose petals, flying from a cheerleader's shirt.
  • An episode of MTV's comedy series Celebrity Deathmatch also parodies the cheerleading scene.
  • The song "The Messenger" by progressive metal band Deadsoul Tribe contains an audio sample of Lester's boss saying "You are one twisted fuck."
  • There are many appearances of the floating bag and Ricky Fitts in the film Not Another Teen Movie.
  • The Adam and Joe Show parodies the film using stuffed animals as the characters. A major point in the parody is the bag dancing around with lips, talking to the characters.

References

External links

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